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#fiction writing – @archaeren on Tumblr
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univeil amber class trash

@archaeren / archaeren.tumblr.com

Posts Jack Jeanne nonsense. Responsible for ~60% of the Chui/Kisa content on AO3. Arguably the #1 Chui fan on the Eng side of the fandom. You can call me Ren for short.
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archaeren

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

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ccoycoyote

@words-on-pa-per , you fucking nerd you need this

fuck, I think I was just visited by an angel

like a biblical angel bc i’m low key afraid and in awe

This is one of the greatest compliments I've ever received omg

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20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

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archaeren

Okay, call me crazy, but when it comes to character inspiration, my personal feeling is that a lot of these feel a little... Cliche/standard/trope-y, since they're mostly just taking a positive trait and extending it to the point that it can become negative. But people are more complex than that, and sometimes they have traits that are even directly at odds with each other. That's not to say it's not a useful list! As an experiment, I tried moving every negative trait down one slot, and observing the results. Since I had no control over the order, some are a bit random, but a lot of them came up with pretty cool concepts!

1. Bravery - Calculative: A character is courageous in the face of danger but can be cold and overly pragmatic in their decisions. (This one is a straight up badass apparently.)

2. Intelligence - Recklessness: A character is exceptionally smart but often takes unnecessary risks. (Forget about Tony Stark for a second and try to apply this to someone more unexpected. What if this character is a teenage girl?)

3. Compassion - Arrogance: A character is deeply caring but also looks down on others. (This is a fascinating combo. I love the arrogant tsundere brat type that this could make. I already ship him with #8.)

4. Determination - Naivety: A character is persistent in their goals but is easily deceived due to their trusting nature. (This is cute...)

5. Charisma - Stubbornness: A character is charming and persuasive but is unwilling to adapt or compromise. (These ones complement each other pretty well! Imagine a character that uses their charisma to always get their way--and then how their stubborn streak comes out when the charisma sometimes fails!)

6. Resourcefulness - Manipulativeness: A character is adept at finding solutions but often uses these traits to exploit others. (Make this a guy who's even semi-hot and you know he'd have a rabid fanbase.)

7. Loyalty - Opportunism: A character is fiercely loyal but is also quick to exploit situations for personal gain. (This is not someone whose boss I'd want to get on the bad side of. But I'd love to read about them!!)

8. Optimism - Blind Obedience: A character remains hopeful in difficult times but follows orders without question, even when they're wrong. (I'm in love with the precious himbo henchman this one has created in my mind.)

9. Humor - Denial: A character lightens the mood with jokes but often ignores harsh realities. (I feel like this one needs no elaboration. Sometimes you don't realize it's REALLY not the time to try to lighten the mood!!)

10. Generosity - Inappropriateness: A character is giving and selfless but often crosses the line with their generosity. (This one is fascinating to me. Like someone who is really going too far, to the point it makes other uncomfortable? Is it because the excessive generosity makes others feel inferior, or is it because the acts of generosity themselves are actually incredibly tone-deaf?)

11. Patience - Lack of Boundaries: A character is calm and tolerant but often neglects their own needs and well-being. (I feel like this isn't an unusual combo for mother characters and shoujo protags, so let's imagine it being Not That. What if this character was a superhero? What if this character was a teacher? What if this character was the antagonist?)

12. Wisdom - Passivity: A character has deep understanding and insight but sometimes fails to take action when needed. (The default for this one is probably like a wise old wizard character or something that just offers advice but doesn't actively help the main character. But what if this was an active party member/participant? Now it seems more likely that they get so caught up in thinking Wise Thoughts that they don't realize when they should be applying that stuff in the real world!!)

13. Confidence - Cynicism: A character believes in their abilities but is often pessimistic about the world. (Not the most unusual combo, but still a fun one. I feel like we tend to see this with overpowered characters that have become jaded by how their power has skewed their perception of the world. Saiki K is the first that comes to mind for me, but I know there are others Another approach could be to make them confident but not good at what they're confident at! Which makes their pessimism hilariously highlight their own obliviousness.)

14. Honesty - Overconfidence: A character is truthful and straightforward but sometimes underestimates challenges. (Does this one speak to anyone else? This honestly sounds so cute.)

15. Self-discipline - Bluntness: A character maintains strong control over their actions but is often insensitive in their spoken delivery. (This is literally just my favorite best boy, Tanakamigi Chui.)

16. Adventurousness - Rigidity: A character loves exploring and trying new things but is inflexible and resistant to change. (This is a really interesting concept because at first glance these two seem naturally opposed. But what if you could make an adventurous character that always insists on doing things their way because it's how they've always done it? Or is utterly unmoved by learning about how other people do things, despite their adventures bringing them into contact with other cultures, etc?)

17. Empathy - Impulsiveness: A character deeply understands and feels others' emotions but often acts without thinking. (Can you imagine the type of character that deeply resonates with the emotions of people around them--and then impulsively acts on those feelings?? Either in response to feelings they think are theirs, or in an effort to respond to the other person, even if it's definitely not the right time or situation. What if the person they resonate with is an antagonist? This concept is ripe for hilarity.)

18. Ambition - Overwhelm: A character is driven to achieve great things but can become easily overwhelmed. (I LOVE this one, I feel like this character is already super relatable lol)

19. Resilience - Ruthlessness: A character can endure hardships without breaking but is willing to do anything, even unethical, to succeed. (This one is interesting because Resilience is a trait I personally associate mostly with characters on the side of Good, who use their dedication to Good to push through when things seem bleak. It's so interesting to think of this as a more villainous or grey morality type character.)

20. Strategic - Emotional Detachment: A character excels at planning and foresight but often seems emotionally distant. (Not the most unique combo, but I'd also be lying if I said this wasn't My Type lol) I'd love to hear anyone else's thoughts on this!

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