Jacob Todd Broussard
Past Lives as the Krewe of Irrealis (Black Sheep Boy), 2023
Matthew Ronay
Senatrix (2023)
Basswood, dye, plastic, steel, shellac-based primer, primer 119.4 x 55.9 x 22.9cm
Paula Turmina
Protection (2023)
Oil and Mars Pigments on Canvas, 150x180cm
anlehnungsbeduerfnis reblogged
GaHee Park (South Korean, b. 1985)
Tipsy Lovers, 2021
Sophie von Hellermann
Amusement, 2023
Acrylic on canvas , 94 x 127 cm
Eunsae Lee
Reversed Woman eating Chips, 2021
Acrylic and oil on canvas, 181.8 x 227.3cm
Ciarán Murphy
Hollow Daze, 2023
Oil on linen, 61.2 x 71.2 cm
anlehnungsbeduerfnis reblogged
Sun Woo, VESSEL, 2022.
Acrylic on canvas, 91 × 91 cm.
anlehnungsbeduerfnis reblogged
Shi Xinji (Chinese, b. 1979), Rabbit, 2012. Oil on canvas, 150 x 200 cm.
anlehnungsbeduerfnis reblogged
Xiangyu Liu for Purple Magazine
anlehnungsbeduerfnis reblogged
Shara Hughes Sigh, 2020 oil, acrylic, and dye on canvas 68 x 60 inches (172.7 x 152.4 cm).
Emily Mae Smith
Study for Poetry, 2022
Oil on linen, 25.4 x 20.3 cm
Lucy Bull
Criss, 2022
Oil on linen, 213.4 x 172.7 x 2.9 cm
anlehnungsbeduerfnis reblogged
Roy Lichtenstein (American, 1923-1997) - Moonscape, from 11 Pop Artists, Volume I, Screenprint in colors on blue Rowlux, the full sheet, 50.20 x 60.60 cm (1965)
anlehnungsbeduerfnis reblogged
Zoey Frank, Apartment in Rome, 2022, Oil on linen
Christina Quarles
Same Shit, Diff’rent Day, 2022
Acrylic on canvas, 177.8 x 330.2 x 5.1 cm
Katja Novitskova
Approximation (Looking Glass Penguins), 2022
Polymer 3D print, steel structure, polyurethane, PU-resin, acrylic paint, raw aluminum and mdf pedestal
160 x 100 x 100 cm (including pedestal)