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#stonewall – @anenlighteningellipsis on Tumblr
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Beauty in the apertures of pain

@anenlighteningellipsis / anenlighteningellipsis.tumblr.com

I want to say Without temper If possible without the least sense of the heroic Without even the measured ambition to speak the truth which is only another vulgarity To say I am not what I was Indeed I was nothing and now I am at least the possibility of something and this I will defend.
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What percentage of the crowd was Hispanic or black?

At least 70%. The Spanish group was the Delightful Ladies. The black group was the Blackwell. There were no leather queens there. There were leather bars for leather people. The majority of people at Stonewall were either drag queens or gay men of color. You could never go to Julius [a nearby bar] unless you were extremely conservative and well dressed. We were never allowed there.

What did the cops do to you once you were busted?

In those days, if you were busted, the first thing they did was shave your head. They’d crop your hair right off. It was to humiliate you.

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Why did you decide to paint and dress the statues?

Those sculptures are supposedly there to commemorate the Stonewall riots, but there isn’t a trace of the actual riots in them. They’re a slap across the face to the Black and Latina trans women who got whacked with batons and shoved into police vans, and still had the guts to continue to lead the fight for LGBTQ liberation. I mean, the people who modeled for the sculptures weren’t even at the riots! That’s just a straight-up insult. It’s also important to note that the Mildred Andrews Fund paid a (presumably) straight and cis white man $90,000 to depict gay people. It’s no wonder that the sculptures are so impassive and tone-deaf.
We painted them because Marsha P. Johnson, Sylvia Rivera, Miss Major, Storme DeLarverie and all the other Black and Brown people who led the movement deserve credit for their courage and strength. What we did was rectification, not vandalism. Those statues are bronze (brown) underneath the layer of white paint — the symbolism behind that is infuriating. I know that some people are going to be angry, but I’m not concerned with preserving bullshit art. I’m angry about the whitewashing of LGBTQ history.
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Honestly this film is a slap in the face to the people who took part in the riots, who fought in the streets for your right to be treated like a human being.  It’s an insult to the LGBT community, to trans people, to drag queens, to women and people of color.  Hollywood has once again taken our moment of major historical significance and told us that the only way people will care is if a white man is the hero,  and that the only way change really happens is if a white man fights for it.
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Marsha P. Johnson

Pronouns: She/her
  1. This pioneer was a notable transgender rights activist and popular figure in New York City's gay and art scene, as well as one of the city’s best known trans women of the times. She was a leader in clashes with the police amid the Stonewall Riots.
  2. She was a co-founder, along with Sylvia Rivera, of Street Transvestite Action Revolutionaries (S.T.A.R.) in the 1970s, and also the “mother” of S.T.A.R. House along with Sylvia, getting together food and clothing to help support the young trans women living in the house on the lower East Side of New York.
  3. Once, appearing in a court the judge asked Marsha, “What does the ‘P’ stand for?”, Johnson gave her customary response “Pay it No Mind.” This phrase became her trademark.
  4. In July 1992, her body was found floating in the Hudson River, shortly after the 1992 Pride March. Police ruled the death a suicide, but her friends and supporters denied this, and a people’s postering campaign later declared that Johnson had earlier been harassed near the spot where her body was found. Attempts to get the police to investigate the cause of death were unsuccessful.
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