Edna St. Vincent Millay, from Interim (via anenlighteningellipsis)
Adonis, ‘Desert’, The Pages of Day and Night (trans. Samuel Hazo)
[Text ID: “He locks the door, not to seal in his happiness but to free his sorrow.”]
Title page. The mystery of pain; a book for the sorrowful. 1914
Title page. The mystery of pain; a book for the sorrowful. 1914
Title page. The mystery of pain; a book for the sorrowful. 1914
Marcel Proust, from The Complete Short Stories; “Pleasures and Regrets,”
Franz Kafka, from a diary entry
“You, too, have lived, struggled, and suffered. Where I have wounds, you have scars. I want you to know one thing and one thing only: Nothing is more true than that misfortune brings understanding. One can never collapse inside oneself if one is truly sustained by pure understanding. How many things have I seen in myself and outside myself since my sorrow! The highest hopes spring from the deepest griefs.”
Victor Hugo, from a letter to Charles de Lacretelle written c. July 1844
Colette, from Claudine at School
Virginia Woolf, from a letter to Violet Dickinson wr. c. September 1904
Edna St. Vincent Millay, from The Collected Poems; “Exiled,”
Virginia Woolf, from To the Lighthouse
William Shakespeare, Hamlet, Act IV, Scene V
my name is that of all women, sorrow.
Samuel Barber - Adagio for Strings, Op.11
Often described as the “saddest classical work ever”, Samuel Barber’s Adagio for Strings has an almost inexorable quality in the slow, steady upward movement of the haunting melody towards the hair-raising climax, before finally settling back to the subdued sorrow of the opening. The piece was famously featured in the film Platoon, and was played at the funerals of Albert Einstein, Princess Grace of Monaco and during the announcements of the deaths of Franklin D. Roosevelt and John F. Kennedy.
Louise Glück, from “Stars”, The Seven Ages