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#recs – @anenlighteningellipsis on Tumblr
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Beauty in the apertures of pain

@anenlighteningellipsis / anenlighteningellipsis.tumblr.com

I want to say Without temper If possible without the least sense of the heroic Without even the measured ambition to speak the truth which is only another vulgarity To say I am not what I was Indeed I was nothing and now I am at least the possibility of something and this I will defend.
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Let me know if anyone wants a list of Jewish fantasy novels

Hit me

  • The Wolf and the Woodsman by Ava Reid (adult, based on Hungarian Jewish history)
  • Spinning Silver by Naomi Novik (adult, based on Russian Jewish history I have 6372636282 problems with a deadly education)
  • Ninth House by Leigh Bardugo (adult, urban fantasy)
  • The Wise and the Wicked by Rebecca Podos (YA, urban fantasy)
  • Burning Girls and Other Stories by Veronica Schanoes (adult, anthology)
  • A good amount of Alice Hoffman’s books
  • Same for Jane Yolen’s short stories and Briar Rose
  • The Golem and the Jinni by Helene Wecker (adult, historical)
  • People of the Book edited by Rachel Swirsky and Sean Wallace (anthology)
  • The Sisters of the Winter Wood by Rena Rossner (adult, based on Romanian Jewish history)
  • Anything by Shira Glassman
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Anonymous asked:

is there any poems you haven't been able to stop thinking about recently? I'm always fascinated by the poems stay with a person because it struck a chord so deep it's almost become a part of them

oh well I’ve actually been fascinated by ghazals lately! the craft of it just amazes me. it originated in 7th century arabic poetry & then flourished in 13th and 14th urdu & persian poetry. it’s a poetic form with a very restrictive structure but it brings out wonders. basically: ghazals are composed of autonomous couplets which are unrelated to one another but brought together by the structure of the whole poem. there is a rhyme-refrain (qafia-radif) pattern to each couplet: one or several words are repeated at the end of the second line (radif), and immediately before this refrain there is an internal rhyme (qafia). this rhyme-refrain is introduced in the very first couplet by being used in both lines in order to set up the pattern to be expected in the second line of following couplets. then in the very last couplet, the poet is supposed to add a signature (makhta) either their name or a nickname or a reference to their name. the form was sort of introduced to the american poetic scene in the late 1960s but most (white) poets only kept the couplet structure and dismissed the qafia-radif pattern which is in my opinion the most interesting aspect (if you want to read more about this, i recommend agha shahid ali’s breaking down of the form & criticism of white poets not respecting the entire structure in his introduction to the anthology ravishing disunities: real ghazals in english)

now this might seem very theoretical but the best way to understand the form is to read ghazals so here are some that have stayed in my mind (unfortunately it seems impossible to faithfully translate a ghazal so these are all ghazals written in english + rather contemporary too)

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soyonscruels

those who dream only by night: the gothic short stories rec list

have you ever felt like you want to read more fiction in the gothic tradition, but you haven’t the money or the time, or you’re the sort of person who only reads a novel if you’re sure you like the writer? i can help with that! here is a list of short stories, novellas, and one poem, all of which are important in the gothic tradition, the gothic revival, or contemporary gothic fiction, and they are all on the internet! for free! (i enjoy making rec lists, but i particularly enjoy making rec lists where i know that everyone who reads the list can get all of it for free.) so, take a night, make some hot chocolate, and frighten the life out of yourself. you’ll thank me!

  1. manfred by lord byron (1817)
  2. the tell tale heart by edgar allan poe (1843)
  3. carmilla by sheridan le fanu (1872)
  4. lord arthur savile’s crime by oscar wilde (1887)
  5. the yellow wallpaper by charlotte perkins gilman (1892)
  6. lot no. 249 by arthur conan doyle (1892)
  7. the great god pan by arthur machen (1894)
  8. the turn of the screw by henry james (1898)
  9. the monkey’s paw by w.w. jacobs (1902)
  10. sredni vashtar by saki (1911)
  11. casting the runes by m.r. james (1911)
  12. the damned by algernon blackwood (1914)
  13. the tomb by h.p. lovecraft (1922)
  14. the garden party by katherine mansfield (1922)
  15. a rose for emily by william faulkner (1930)
  16. the lottery by shirley jackson (1948)
  17. lamb to the slaughter by roald dahl (1953)
  18. a good man is hard to find by flannery o'connor (1955)
  19. the company of wolves by angela carter (1979)
  20. i, cthulhu by neil gaiman (1986)
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52 Films by Women Challenge: Complete!

In January of 2016 Women in Film issued a challenge to film lovers: watch 52 films by women (or 1 per week) for a year. I managed to complete the challenge in half a year. Here are the 52 films, all directed by women, that I watched from January 1-June 30, 2016. Movies in bold represent my top 10. 

It’s never too late to start! You can take the pledge to watch the films here.

The list:

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