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#proust – @anenlighteningellipsis on Tumblr
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Beauty in the apertures of pain

@anenlighteningellipsis / anenlighteningellipsis.tumblr.com

I want to say Without temper If possible without the least sense of the heroic Without even the measured ambition to speak the truth which is only another vulgarity To say I am not what I was Indeed I was nothing and now I am at least the possibility of something and this I will defend.
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antigonick
Anonymous asked:

Apologies if you've already covered this, but I was wondering if you could recommend any prep readings for Anne Carson. Not necessarily essays on her work, but books that you think would help a reader unfamiliar with her to maybe have a sort of basis to go off. Thank you!

It all depends on the book you’re picking up, but what’s absolutely fundamental in Anne Carson’s works is her weaving of literary influences and analysis in her own work. Knowing the works she most often refers herself to allows her readers to understand her, and enjoy her writing, more organically.

As a classicist, she’s heavily influenced by Ancient Greek classics, but she often makes use of French and English literature as well. I would recommend you to read:

Fragments, SapphoFragments, CatullusAntigone, SophoklesAgamemnon, EuripidesThe Iliad, HomerThe Odyssey, HomerHerakles, EuripidesBakkhai, EuripidesPoems, John KeatsPoems, Emily BrontëWuthering Heights, Emily BrontëIn Search of Lost Time (or only : The Fugitive), Marcel Proust

Her very cartesian, tongue-in-cheek approach to poetry—her constant curiosity about language and how it works, most importantly—is most easily tackled when you are used to literary theory, or linguistics, classics, academical essays at least. 

Of course these are only pointers to clarify her poetry and writings, but you can also jump right into it! She has a very pedagogical, diversified approach and most of her works give you a basis to work off of anyway.

Have fun!

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For [Henri-Louis] Bergson,there were two distinct forms of memory: ‘habit memory,’ stored within the body and developed through repetitive action; and ‘pure memory,’ the survival of personal memories in the subconscious. Habit memory is an automatic functioning of the body, based on past experience. Conversely, pure memory is a spontaneous, faithful preservation of the past, which is less associated with everyday, practical aspects of life, and thus more contemplative. Central to this argument is Bergson’s assertion that we prioritize the perception and retention of experiences and information that will be useful for future conduct. As such, it is often contended that Bergson’s work has much in common with [Marcel] Proust’s concepts of ‘voluntary’ and ‘involuntary’ memory. For Proust, voluntary memory is partial, and is therefore accorded the secondary status of Bergson’s habit memory. By contrast, involuntary memory reveals every aspect of the past, including sensations and emotions; it shares the impulsivity of pure memory, in the manner by which it surfaces without conscious thought. However, where Proust’s account differs from Bergson is in the importance attributed to the body in processes of memory recall. Unlike Bergson, Proust stresses the role of physical sensations as fundamental to processes of involuntary memory.

Lisa Hill, from “Archaeologies and Geographies of the Post-Industrial Past: Landscape, Memory and the Spectral,” in Cultural Geographies (VoI. 20, No. 3)

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whatokay
But sometimes illumination comes to our rescue at the very moment when all seems lost; we have knocked at every door and they open on nothing until, at last, we stumble unconsciously against the only one through which we can enter the kingdom we have sought in vain a hundred years - and it opens.

Marcel Proust, In Search of Lost Time (via whatokay)

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