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#power – @anenlighteningellipsis on Tumblr
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Beauty in the apertures of pain

@anenlighteningellipsis / anenlighteningellipsis.tumblr.com

I want to say Without temper If possible without the least sense of the heroic Without even the measured ambition to speak the truth which is only another vulgarity To say I am not what I was Indeed I was nothing and now I am at least the possibility of something and this I will defend.
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dearorpheus
The Gothic world is fascinated by violent differences in power, and its stories are full of constraint, entrapment and forced actions. Scenes of extreme threat and isolation – either physical or psychological – are always happening or about to happen. A young woman in danger, such as the orphan Emily St Aubert in Ann Radcliffe’s The Mysteries of Udolpho (1794) or Lucy Westenra in Dracula, is often at the centre of Gothic fiction. Against such vulnerable women are set the great criminals or transgressors, such as the villainous Montoni in The Mysteries of Udolpho or Count Dracula. Cursed, obscene or satanic, they seem able to break norms, laws and taboos at will. Sexual difference is thus at the heart of the Gothic, and its plots are often driven by the exploration of questions of sexual desire, pleasure, power and pain. It has a freedom that much realistic fiction does not, to speak about the erotic, particularly illegitimate or transgressive sexuality, and is full of same-sex desire, perversion, obsession, voyeurism and sexual violence. At times, as in Matthew Lewis’s The Monk (1796), Gothic can come close to pornography.

John Bowen, Professor of 19th century literature at the University of York

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deadhamlet
Women as a gender - not as some individuals - are by definition excluded from [power]. You cannot easily fit women into a structure that is already coded male; you have to change the structure. That means thinking about power differently. […] It means, above all, thinking about power as an attribute or even a verb (‘to power’), not as a possession. What I have in mind is the ability to be effective, to make a difference in the world, and the right to be taken seriously, together as much as individually.

Mary Beard, Women in Power

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finsterforst

A necklace made of jaguar claws, from the Mato Grosso of Brazil. Necklaces such as these are commonly symbols of power for the warrior or shaman. The jaguar is important in the myths of most Native Southern Americans as the giver of hunting and fire and, with them, of society to man. Frequently, the warrior or shaman is said to be able to transform himself into a jaguar.

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I teach a class called ‘Decolonize Your Diet,’ and I talk about the Spaniards arriving in Mesoamerica. One of the first things they tried to change—in addition to religion— was the way people ate. They introduced wheat and tried to make eating bread something that was seen as more valuable than eating corn. They outlawed amaranth, and in South America they outlawed quinoa. I tell my students to think about how the dominant powers are invested in controlling what their subjects eat, and then to take that concept from the 1500s to our contemporary era and ask themselves, ‘What are the powers that be wanting us to eat right now? Where are all the food subsidies going? How is that influencing what we’re eating? Who’s benefiting and who’s suffering because of that?’ For students, drawing those connections is really powerful, and it gives them a tangible way to analyze relations of power.
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FREEDOM MONEY HONESTY

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1younglife

Love, Beauty, Youth

Money friends power

Success health money *twerks*

Intelligence, Love, Time

I saw six words simultaneously dammit

ok

Love, Beauty, Time

Humour, Honesty, Intelligence

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Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. there is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.

Henry Miller (via arreter)

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