liv tyler as arwen undómiel (wearing travelling cloak and clutching her sword) .
I love found family as much as the next girl but the fact that Bilbo goes home at the end of the Hobbit is so fucking funny to me. “Yes, we had a life changing experience together and I’ve saved all your lives. What of it? I miss my arm chair. Good morning.” ABSOLUTELY PRICELESS.
#relatable
It’s like in the great stories, Mr. Frodo; the ones that really mattered. Full of darkness and danger, they were. And sometimes you didn’t want to know the end… because how could the end be happy? How could the world go back to the way it was, when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines, it will shine out the clearer. Those were the stories that stayed with you, that meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going. Because they were holding on to something.That there’s some good in this world, Mr. Frodo. And it’s worth fighting for.
THE LORD OF THE RINGS: TWO TOWERS (2002, dir. Peter Jackson)
Merry: confused awe
Frodo: confused awe
Sam: confused awe
Pippin: finally i’m getting the respect i deserve from these peasants
so accurate i am choking on my carrot. this is making me giggle harder than it should. I love Pippin so much.
I don’t think there will come time when I’m not reblogging this. Sorry guys.
no no no you guys don’t understand, Pippin is someone really important in the Shire! The books don’t talk about it a lot, and the movies won’t touch that stuff with a bargepole, but Pippin will be inheriting land rights to about a quarter of the Shire. He’s second in line to becoming military leader of all Hobbits. His dad is currently in charge of that stuff, but he’s completely aware of it, and educated for it, and that’s why he’s such an over privileged little shit in the books.
I thought it was a shame the movies didn’t talk about class differences in the Shire. Also puts M&P stealing food in an uglier light.
To be fair, at the time of the Party, Pippin would have been 12, which puts it back into a more acceptable light. And they’re stealing food from Bilbo, a wealthy and eccentric family member, which again makes things a bit different.
But yes, when they call Pippin Ernil i Perrianath - Prince of the Halflings - they are actually completely spot on.
And when Pippin tells Bergil “my father farms the land around Tuckborough” he’s deliberately downplaying his class so that he can greet the boy as an equal rather than a superior. It’s Pippin’s most adult moment in the series. Bergil is engaging in a status contest which Pippin can totally win - but instead chooses not to compete. Pippin is a gilded and spoiled lordling in the Shire, but he becomes a Man of Gondor.
Yeah, to add a bit of unnecessary trivia/level of preciseness, Frodo is the oldest of the four; he was born in 2968, was (obviously) 33 at the time of the Party, and so he’s 51 here. Sam’s second-oldest; born in 2980, he was 21 when Bilbo left and is 39 at this point. Merry’s two years younger than Sam, making him 18 or 19 in 3001, when the Party took place, and Pippin was born in 2990, so he was actually 10 or 11 during the Party, and during this scene they’re ~37 and ~29, respectively.
So yeah, Pippin’s the youngest by a lot. Plus, taking hobbit aging into account, he really is still in the equivalent of his teens; remember the Party was half to celebrate Frodo’s coming-of-age at 33, and Pippin’s around twenty years younger than Frodo.
This fucked me up. I didn’t read the books and in the movie it was shown like Frodo took off with the ring like 2 days after Bilbo’s gone away, but it was 17 years after that. OMFG.
Also worth noting that “Merry and Pippin stealing food” isn’t in the book - raiding Farmer Maggot’s fields, specifically the mushrooms, is something Frodo used to do when he was a kid, before his parents died and he moved to Hobbiton to live with Bilbo. Frodo’s still afraid of Maggot’s guard dogs, but the farmer himself is sympathetic and helpful when he finds Frodo & Co. cutting through his field.
And this is specifically invoked in the books at the Council of Elrond, where Elrond argues against Pippin in particular going, because he is so young. He’s okay with Merry going but wants to keep Pippin in Rivendell. Elrond has serious misgivings against sending an early-teenager off to face the Shadow, and given what happens to Pippin in The Two Towers, he was not wrong.
This is just so great. I just–I can’t.
Merry is also a prince of sorts - his father is Master of Buckland, which is the semi-autonomous boundary community between the Brandywine river and the Old Forest (never, alas, discussed in the movies). Merry and Pippin are friends in the books in part because they’re of relatively equal status and in part because they’re cousins (like all nobs, Shire nobs mostly marry each other).
However, the books also clearly make Merry the Responsible One, even though he’s only been a full adult for four years. (Think early 20s in human terms.) Merry buys and prepares the house at Crickhollow. Merry figures out the secret of the ring before Bilbo even gives it to Frodo, but Merry keeps Bilbo’s secret. Merry convinces Sam to spy on Frodo. Merry explains that they’re all joining Frodo on the Quest, whether Frodo wants them to or not. Merry cautions about the Old Forest and doesn’t go down to drink in the taproom at the Prancing Pony.
So in the books, Merry isn’t Pippin’s partner in pranks - instead, Merry and Pippin spend all their time together on the Quest because Merry’s looking after his younger cousin. Can you imagine what his mother would say if he came home without Pippin? Merry can, and that’s why he takes some pretty absurd personal risks during the books to make sure that doesn’t happen. Like, he literally rides into battle on the back of someone else’s horse, in disguise, because Pippin is probably somewhere in that battle.
Merry is 99%* common sense unless Pippin is involved, and then he is 100% save/rescue/protect/support Pippin. The character growth and maturation we see in Merry in the movies isn’t in the books; instead he has almost the exact opposite arc of becoming an extreme risk-taker, driven by his protective instincts.
(*The other 1% stabbed a ringwraith in the calf that one time, but we can argue that this was due to a natural expansion of Merry’s protective instincts toward Eowyn, with whom he’d bonded quite a lot recently, and toward Theoden, who he deeply respected as being kind of like his dad.)
bonus kleenex moment:
when pippin finds merry stumbling half-blind and sick through the streets of Minas Tirith after killing the Ringwraith, he tells Merry “Poor old fellow! I’ll look after you,” half-carries him to the healing halls, and is worried sick about him until he can finally get Aragorn in to give him medicine.
It’s the first time in the story that Pippin has looked after Merry, instead of the other way around.
It shows that Pippin has grown up, that he can protect the people who always protected him.
This is also why it’s awesome when they finally come back to the Shire, and Saruman’s made a right mess of things, and it’s Merry and Pippin that kick ass and take names. They’re the closest things the Shire has to princes and military leaders, and they’ve just had adventures that make this look like a minor action. Frodo’s tired, and Sam’s just worried about Frodo, and Merry and Pippin are like hold my pint, I got this.
The least realistic thing about the Lord of the Rings is that a team got together for a group project, decided everything in one meeting, and their plan worked.
The group abandoned the original plan halfway up Caradhras, split up several times, some group members started looking into different projects, found new partners and ended up doing something else, the original plan was abandoned early on, and the project was salvaged at the last moment by the one group member that didn’t get sidetracked. Sounds like a pretty astute description of teamwork to me
It never ceases to amaze me, the courage of hobbits.
i don't remember the books so well, what is legolas' personality like in them? all i remember is tht the books and movie where massively different?
Oh my dear anon. I could go on about book Legolas for hours.
Book Legolas is a sassy little sh*t who skips on the surface of the snow when everyone else is drowning in it up to their waists and carrying the four hobbits. Book Legolas sleeps with his eyes open. He watches Aragorn throw himself to the groud and listen to the sound of running horses, only to say afterwards, “yeah, there are a hundred and five of them, they’re all blond and they all have spears nbd“. Book Legolas cries that Gollum escaped grom Mirkwood right after everyone was like, “phew, it’s good that Thranduil’s elves keep an eye on him, what could go wrong???“. He screams all the time, and occasionally drops his bow too. He kills a warg, shooting it right in the throat with a burning arrow. Book Legolas is a trees stan. Book Legolas walk away singing “To the Sea! To the Sea!“. Book Legolas is not afraid of zombies, thank you very much. He addreses his friends “children“, even though he is probably the youngest elf in Middle-Earth that we know of. And of course, book Legolas takes none of your bs, builds his own grey boat because who says he can’t sail on his own ship right, packs his best friend and shows up in Valinor 120 years late with Starbucks and a dwarf.
Legolas pretty quickly gets in the habit of venting about his travelling companions in Elvish, so long as Gandalf & Aragorn aren’t in earshot they’ll never know right?
Then about a week into their journey like
Legolas: *in Elvish, for approximately the 20th time* ugh fucking hobbits, so annoying
Frodo: *also in Elvish, deadpan* yeah we’re the worst
Legolas:
~*~earlier~*~
Legolas: ugh fucking hobbits
Merry: Frodo what’d he say
Frodo: I’m not sure he speaks a weird dialect but I think he’s insulting us. I should tell him I can understand Elvish
Merry: I mean you could do that but consider
Merry: you can only tell him ONCE
Frodo: Merry. You’re absolutely right. I’ll wait.
Legolas: umm well your accent is horrible
Aragorn: *hollering from a distance* HIS ACCENT IS BETTER THAN YOURS LEGOLAS YOU SILVAN HICK
Frodo: :)
Frodo: Hello. My name is Frodo. I am a Hobbit. How are you?
Legolas: y’alld’ve’ff’ve
Frodo, crying: please I can’t understand what you’r saying
Ok, but Frodo didn’t just learn out of a book. He learned like… Chaucerian Elvish. So actually:
Frodo: Good morrow to thee, frend. I hope we twain shalle bee moste excellente companions.
Legolas: Wots that mate? ‘Ere, you avin’ a giggle? Fookin’ ‘obbits, I sware.
Aragorn: *laughing too hard to walk*
dYinGggGggg…
i mean, honestly it’s amazing the Elves had as many languages and dialects as they did, considering Galadriel (for example) is over seven thousand years old.
english would probably have changed less since Chaucer’s time, if a lot of our cultural leaders from the thirteenth century were still alive and running things.
they’ve had like. seven generations since the sun happened, max. frodo’s books are old to him, but outside any very old poetry copied down exactly, the dialect represented in them isn’t likely to be older than the Second Age, wherein Aragorn’s foster-father Elrond started out as a very young adult and grew into himself, and Legolas’ father was born.
so like, three to six thousand years old, maybe, which is probably a drop in the bucket of Elvish history judging by all the ethnic differentiation that had time to develop before Ungoliant came along, even if we can’t really tell because there weren’t years to count, before the Trees were destroyed.
plus a lot of Bilbo’s materials were probably directly from Elrond, whose library dates largely from the Third Age, probably, because he didn’t establish Imladris until after the Last Alliance. and Elrond isn’t the type to intentionally help Bilbo learn the wrong dialect and sound sillier than can be helped, even if everyone was humoring him more than a little.
so Frodo might sound hilariously formal for conversational use (though considering how most Elves use Westron he’s probably safe there) and kind of old-fashioned, but he’s not in any danger of being incomprehensible, because elves live on such a ridiculous timescale.
to over-analyse this awesome and hilarious post even more, legolas’ grandfather was from linguistically stubborn Doriath and their family is actually from a somewhat different, higher-status ethnic background than their subjects.
so depending on how much of a role Thranduil took in his upbringing (and Oropher in his), Legolas may have some weird stilted old-fashioned speaking tics in his Sindarin that reflect a more purely Doriathrin dialect rather than the Doriathrin-influenced Western Sindarin that became the most widely spoken Sindarin long before he was born, or he might have a School Voice from having been taught how to Speak Proper and then lapse into really obscure colloquial Avari dialect when he’s being casual. or both!
considering legolas’ moderately complicated political position, i expect he can code-switch.
…it’s also fairly likely considering the linguistic politics involved that Legolas is reasonably articulate in Sindarin, though with some level of accent, but knows approximately zero Quenya outside of loanwords into Sindarin, and even those he mostly didn’t learn as a kid.
which would be extra hilarious when he and gimli fetch up in Valinor in his little homemade skiff, if the first elves he meets have never been to Middle Earth and they’re just standing there on the beach reduced to miming about what is the short beard person, and who are you, and why.
this is elvish dialects and tolkien, okay. there’s a lot of canon material! he actually initially developed the history of middle-earth specifically to ground the linguistic development of the various Elvish languages!
Legolas: Alas, verily would I have dispatched thine enemy posthaste, but y’all’d’ve pitched a feckin’ fit.
Aragorn: *eyelid twitching*
Frodo: *frantically scribbling* Hang on which language are you even speaking right now
Pippin, confused: Is he not speaking Elvish?
Frodo, sarcastically: I dunno, are you speaking Hobbit?
Boromir, who has been lowkey pissed-off at the Hobbits’ weird dialect this whole time: That’s what it sounds like to me.
Merry, who actually knows some shit about Hobbit background: We are actually speaking multiple variants of the Shire dialect of Westron, you ignorant fuck.
Sam, a mere working-class country boy: Honestly y'all could be talkin Dwarvish half the time for all I know.
Pippin, entering Gondor and speaking to the castle steward: hey yo my man
Boromir, from beyond the grave: j e s u s
Tolkien would be SO PROUD of this post
It got better
The women of this country learned long ago: Those without swords can still die upon them. I fear neither death nor pain.
Tolkien and Lewis are both products of their times & their sexism exerts itself in different ways but my favorite is how every individual Narnia book has the same number of named female characters as the entire LOTR series combined. It’s so fucking funny.
Second place goes to Lewis being mortally terrified of the concept of girls touching a sword and Tolkien just handing Éowyn a blade and telling her to go fuck up the witch king
He is close now, so close to achieving his goal. For Sauron will have dominion over all life on this Earth, even until the ending of the world.
Fun Random Facts About the LOTR Soundtrack
- Most composers spend just 10-12ish weeks working on a film’s music. John Williams spent around 14 weeks on each Star Wars movie, 40ish weeks total for the whole OT……but composing the LOTR trilogy’s soundtrack took four years
- The vocals you hear in the soundtrack are usually in one of Tolkien’s languages (esp. Elvish). The English translations of the lyrics are all poems, or quotes from the book, or occasionally even quotes from other parts of the films that are relevant to the scene
- When there were no finished scenes for him to score, Howard Shore would develop musical themes inspired by the scripts or passages from the book. That’s how he got all Middle-Earth locations have their own unique sound: he was able to compose drafts of “what Gondor would sound like” and “what Lorien would sound like” long before any scenes in those places were filmed
- Shore has said his favorite parts to score were always the little heartfelt moments between Frodo and Sam
- Shore wrote over 100 unique leitmotifs/musical themes to represent specific people, places, and things in Middle Earth (over 160 if you count The Hobbit)
- The ones we all talk about are the Fellowship theme, the main Shire Theme, and the themes for places like Gondor, Mordor, Rohan, and Rivendell…but a lot of the more subtle ones get overlooked and underappreciated
- Like Aragorn’s theme. It’s a lot less “obvious” than the others because, like Aragorn himself, it adapts to take on the color of whatever place Aragorn is in: it’s played on dramatic broody stringed instruments in Bree, on horns in battle scenes, softly on the flute with Arwen in Rivendell….
- Eowyn has not just one but three different leitmotifs to represent her
- Gollum and Smeagol both have their own leitmotifs! Whose theme music is playing in the scene can often tell you whether the Gollum or Smeagol side is “winning” at the moment
- The melody for Gollum’s Song in the end credits of the The Two Towers is the Smeagol and Gollum themes smushed together (it’s Symbolic)
- And then there’s the really obscure ones. Like there’s a melody that plays at Boromir’s death that shows up again in ROTK in scenes that foreshadow a major death or loss
- Wikipedia actually has a list of these leitmotifs, click this link and scroll down to check it out if you’re bored
- Shore wanted the theme music to grow alongside the characters– so that as the characters changed, their theme music would change with them.
- You can hear that most clearly in the Shire theme. Like the hobbits, it goes through A Lot
- Like compare the childish lil penny whistle theme you hear in Concerning Hobbits/the beginning of FOTR with (
throws a dart at random Beautiful Tragic Hobbit Character Development scene because there WAY TOO MANY to choose from) the scene when Pippin finds Merry on the battlefield, where you hear a kind of shattered and broken but more mature version of that same theme in the background
I could write you a book on how much I love the way the Shire theme grows across the course of these films- Unlike the hero’s themes, which constantly change and grow, the villain’s themes (The One Ring theme, the Isengard theme, etc) remain basically the same from the very beginning of FOTR to the end of ROTK. Shore said this was an intentional choice: to emphasize that evil is static, while good is capable of change
- Shore has said that between all the music that made into the movies and the music that didn’t, he composed enough for “a month of continuous listening”……..where can I sign up
galadriel narrating the beginning of fellowship
The Fellowship of the Ring, J.R.R. Tolkien (b. 3 January 1892)
The Lord of the Rings: The Fellowship of the Ring (2001) dir Peter Jackson
Gondor calls for aid!
End? No, the journey doesn’t end here… The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.
Rest in peace, Christopher Tolkien (1924-2020).