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#ingmar bergman – @anenlighteningellipsis on Tumblr
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Beauty in the apertures of pain

@anenlighteningellipsis / anenlighteningellipsis.tumblr.com

I want to say Without temper If possible without the least sense of the heroic Without even the measured ambition to speak the truth which is only another vulgarity To say I am not what I was Indeed I was nothing and now I am at least the possibility of something and this I will defend.
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One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations. Isn’t it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds I’ve found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated. Every time I read a review, for instance — whether laudatory or not — this feeling awakes. To humiliate and be humiliated, I think, is a crucial element in our whole social structure.

Ingmar Bergman; Interviews with Ingmar Bergman by Stig Bjorkman

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ozu-teapot

July 2017 / The month in teapots / Bergman Fest Special Edition:

  • Fängelse (Prison) | Ingmar Bergman | 1949
  • Eva | Gustaf Molander | 1948
  • Gycklarnas afton (AKA Sawdust And Tinsel) | Ingmar Bergman | 1953
  • Scener ur ett äktenskap (Scenes From A Marriage) | Ingmar Bergman | 1973
  • Saraband | Ingmar Bergman | 2003
  • Den goda viljan (The Best Intentions) | Bille August | 1991
  • De två saliga (The Blessed Ones) | Ingmar Bergman | 1986
  • Musik i Mörker (Music In Darkness)  | Ingmar Bergman | 1948
  • Törst (Thirst) | Ingmar Bergman | 1949
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When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.

Ingmar Bergman

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When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.

Ingmar Bergman

Avatar
When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.

Ingmar Bergman

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ozu-teapot

July 2015 / The month in teapots / Bergman Fest Special Edition:

  • A Lesson in Love | Ingmar Bergman | 1954
  • Summer with Monika | Ingmar Bergman | 1953
  • It Rains On Our Love | Ingmar Bergman | 1946
  • Music In Darkness | Ingmar Bergman | 1948
  • Scenes From A Marriage | Ingmar Bergman | 1973
  • Thirst | Ingmar Bergman | 1949
  • Summer Interlude | Ingmar Bergman | 1951
  • Fanny and Alexander | Ingmar Bergman | 1982
  • Port of Call | Ingmar Bergman | 1948
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