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@amelancholyuniverse / amelancholyuniverse.tumblr.com

"there's nothing beyond the sky. the sky just is, and it goes on and on, and we play all of our games beneath it." tminuseternity on AO3
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The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

  • I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.
  • Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.
  • I didn’t even track how many words I wrote. Not relevant.
  • I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.
  • Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.
  • I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.
  • Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.
  • Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

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i had a dream that time travel was invented and too many people choose to travel back in time to save the titanic from sinking (the question of whether unsinking of the titanic deserved so much attention in the face of human history was the subject of both heavy academic and online discourse), which caused a rift in the space-time-continuum that led to the titanic showing up indiscriminately all over the world’s oceans and sea in various states of sinking.

this caused a lot of issues both in terms of fixing said space-time-continuum and in terms of nautical navigation, and after a long and heavy battle in the international maritime organization it was decided that the bureaucratic burden of dealing with this was to be upon Ireland, much to their dismay. the Irish Government then released an app for all sailors and seafarers so they could report titanic sightings during their journeys, even though they heavily dissuaded you from reporting them given the paperwork it caused.

anyway i woke up with a clear image of the app in my head and needed to recreate it for all of you:

no you don't understand. i do international regulation of emerging technologies for a living. this WAS me stress dreaming about work

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Does anybody else track their life though a series of obsessions? Like “ah yes, i remember that happening, i was obsessing over Star Gate Atlantis at the time,” or, “this was during my Supernatural era.” I can map out my whole life in this way.

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Hate AI, but love writing contests?

Want to take part in a global, fun project to write a Novella in one month?

Grab some friends, and take part in Novella November, by writing 1,000 words a day for the month of November, ending with a 30,000 word Novella to test and stretch your novel-writing skills!

Your goal is not perfection, but merely getting into the habit of writing a litte bit every single day :D

No website, no sign-ups -- Just a community initiative to write using only your own word!

What are the rules? Just Three so far!

  • #1 - No AI
  • #2 - No Plagiarizing
  • #3 - Wordcount for the month should only come from what you write during the month.

What does that mean?

  • Only words written during November should go towards your Wordcount for the month... but! Feel free to use your 30k words as a continuation of previous writing, or just make it the first 30k words in a longer novel!
  • Don't think you can write a whole entire 30k word story? Write a series of short stories that total up to 30k!
  • Not ready to write original works yet? Write a 30k word fanfiction that you can post at the last day of the month!

Share your writing experience, tips, encouragement, and questions in the #Novella November tag!

EDIT 1, from the tags: Want a progress tracker? Track your progress with TrackBear!

Or, create some custom progress cards in advance you can fill out as you reach word goals!

Anyone interested in alternatives to NaNo, check this out! Novellas are such a vibe.

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I'm going to be perfectly honest a lot of people claiming people don't like canonically queer shows like heartstopper love victor etc and favor queerbaity shows like supernatural house md etc BECAUSE of the queerbait itself are missing a core element of these shows and is that the weird gay thing people are having is very much a light accessory to the plot instead of being literally the plot itself. Queerness as a plot is tempting for like a two hour movie if I wanted to watch more than four hours of people discovering their identity while nothing else happens I'd just go live my life. What's the point if they're not even solving a murder.

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theplotmage

120 ULTIMATE LIST OF CHARACTER FLAWS. Writers save this!

1. Moral Flexibility - Adapts their ethics to fit the situation, often justifying questionable actions as necessary.

2. Cognitive Dissonance - Holds two conflicting beliefs or values and struggles to reconcile them, leading to inner turmoil.

3. Overempathy - Feels others’ emotions too intensely, leading to burnout or an inability to make objective decisions.

4. Intellectual Arrogance - Dismisses others’ ideas as inferior, believing their own intellect is superior.

5. Chronic Overthinking - Analyzes situations to the point of paralysis, unable to take decisive action.

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tanoraqui

basically I think that if your protagonist doesn’t want to fuck someone so bad it makes them look stupid, then there probably isn’t enough energy in your story. “Fuck someone” isn’t literal btw—they can want to uncover the secrets of their parent’s death, they can want to prove their worth, they can want a donut from one particular bakery—it can be anything so long as they want it so bad that they’ll make decisions that make any sane person go “are you a moron??”, with little to no forethought, or even tons of forethought and this is still the option they chose. Because they want to fuck that thing so bad.

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academic papers about black sails

Razman, D. C. (2020) “Black Sails, Rainbow Flag: Examining Queer Representations in Film and Television” [click for pdf]

Srividhya Swaminathan, (2017) “The New Cinematic Piracy: Crossbones and Black Sails (in ‘The Cinematic Eighteen Century: History, Culture, and Adaptation’ (2017, 1st ed.) edited by Srividhya Swaminathan and Steven W. Thomas)

Min-Chi Chen (2024) “Weaponizing Monstrosity: Starz’s Black Sails and the Power of Monstrous Narrative” (in Chapter 2 of ‘Monsters and Monstrosity in Media: Reflections on Vulnerability’, 23, 2024, edited by Yeojin Kim, Shane Carreon)

Jessica Walker “Civilization’s Monsters: The Doomed Queer Anti-Imperialism of Black Sails” (in ‘Pirates in History and Popular Culture’ (2018) edited by Antonio Sanna) [entire book in pdf]

“From Dogs to Kings” https://www.diva-portal.org/smash/get/diva2:1332062/FULLTEXT01.pdf

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