Leviathan (2014)
Directed by: Andrey Zvyagintsev Cinematography: Mikhail Krichman, RCG Cameras & Lenses: Arricam ST, Zeiss Master Primes Format: 35mm (Kodak Vision3 250D 5207, Kodak Vision3 500T 5219) Mode: Spherical (super35) Aspect Ratio: 2.35:1
Mommy (2014)
Directed by: Xavier Dolan Cinematography: André Turpin, CSC Cameras & Lenses: Arricam LT, Arriflex 435 / Zeiss Master Primes Format: 35mm (Kodak Vision3 500T 5219) Mode: Spherical (super35, 3-perf) Aspect Ratio: 1:1 / 1.85:1
Note: While the photos may be displayed smaller (scaled down) on the dashboard, you will see them at full size when you click on the image / full post. Sorry for this annoying tumblr feature.
Adam Arkapaw shooting True Detective on 35mm film with Panavision Cameras and PVintage lenses.
12 Years A Slave
Directed by: Steve McQueen Cinematography: Sean Bobbitt BSC Camera: Arricam ST, Arricam LT, Cooke S4 and Angenieux Optimo Lenses Format: 35mm (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219) Mode: Super35, 4-perf Aspect Ratio: 2.35:1
Images taken from the original theatrical trailer (1080p .mov file, Apple iTunes trailers)