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#primo – @amazingcinematography on Tumblr
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amazing cinematography

@amazingcinematography / amazingcinematography.tumblr.com

Stunning filmmakers and amazing cinematographers. Just the best.
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Nightcrawler (2014)

Directed by: Dan Gilroy Cinematography: Robert Elswit, ASC Cameras & Lenses: Arri Alexa XT, Panavision Primo, Super Speed MKII, Ultra Speed MKII and Angenieux Optimo Lenses (digital scenes), Panavision Panaflex Millennium XL2, Panavision Primo, Super Speed MKII, Ultra Speed MKII and Angenieux Optimo Lenses (35mm film scenes) Format: Digital (ARRIRAW 2.8K / night scenes), 35mm (Kodak Vision3 200T 5213 / daylight & some scenes) Mode: Spherical (super35/3-perf) Aspect Ratio: 2.35:1

#nightcrawler#movie#2014#dan gilroy#robert elswit#jake gyllenhaal#arri#alexa#XT#panavision#xl2#primo#lens#digital#film#35mm#kodak#vision3#200T#ARRIRAW#hybrid#workflow#3-perf#TV news#amazing cinematography
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Fish Tank (2008)

Directed by: Andrea Arnold Cinematography: Robbie Ryan BSC Cameras: Arriflex 35 IIC, Panavision Primo Lenses, Panavision Panaflex Millennium XL, Panavision Primo Lenses  Format: 35mm (Fuji Eterna Vivid 160T 8543, Eterna 400T 8583, Reala 500D 8592) Mode: Spherical (using the full frame of the negative) Aspect Ratio: 1.33:1

#fish tank#andrea arnold#katie jarvis#michael fassbender#robbie ryan#arriflex#panavision#primo#panaflex#35mm#film#fuji#eterna#vivid#reala#spherical#cinematography#full frame
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