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A Lovely Way to Spend an Evening

@alovelywaytospendanevening / alovelywaytospendanevening.tumblr.com

“The strongest of all psychic forces in the world is unsatisfied desire.” ― John Cowper Powys
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Sassoon and Graves in 1920.

When Robert Graves walked into C Company mess on 28 November 1915 on some errand, he noticed an unexpected book on the table. It was a copy of Post Liminium, a collection of essays by the late nineteenth-century poet Lionel Johnson. The army was not noted for its Lionel Johnson readers; a 'military text-book or a rubbish novel' were more the order of the day. Graves took a discreet look at the name on the flyleaf. A glance round the mess was enough to indicate 'Siegfried Sassoon': the tall, lanky, shy subaltern. Graves, also tall but anything but shy, quickly struck up a conversation. Both being off duty, the two were soon walking into Béthune for cream buns, busy talking poetry. Sassoon and Graves had a good deal in common. Both were conventionally unconventional public school products, trying to turn themselves into competent army officers and into the kind of poets Eddie Marsh would publish in his Georgian Poetry anthologies. Both, anxious about being insufficiently manly, had cultivated a tougher, sportier side: Sassoon through fox-hunting and cricket; Graves through boxing — he had been the school middleweight champion. Both were lonely and in love (Sassoon with David 'Tommy' Thomas, Graves with George 'Peter' Johnstone). Both were almost certainly still virgins. The friendship necessarily developed in fits and starts, and owed some of its intensity to that. Long conversations, the uninterrupted exchange of poems and confessions, were a rare luxury. Graves gave Marsh a humorous but probably not very misleading account of their difficulty 'in talking about poetry and that sort of thing': 'If I go into his mess and he wants to show me some set of verses, he says: "Afternoon Graves, have a drink… by the way, I want you to see my latest recipe for rum punch."' He also made it pretty clear to Marsh that it was not just poetry they had to be careful about discussing openly: 'I don't know what the CO would say if he heard us discussing the sort of things we do… His saying is that "there should be only one subject for conversation among subalterns off parade." I leave you to guess it.' There was obviously a secret thrill in these surreptitious exchanges, a sense that Graves and Sassoon were like two naughty schoolboys, hoodwinking their peers and those in authority.

— Harry Ricketts, Strange Meetings: The Poets of the Great War (2010)

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To His Love

He's gone, and all our plans Are useless indeed. We'll walk no more on Cotswold Where the sheep feed Quietly and take no heed. His body that was so quick Is not as you Knew it, on Severn river Under the blue Driving our small boat through. You would not know him now… But still he died Nobly, so cover him over With violets of pride Purple from Severn side. Cover him, cover him soon! And with thick-set Masses of memoried flowers— Hide that red wet Thing I must somehow forget.

— Ivor Gurney, 1917.

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I have just been reading David Blaize and think it lovely — the best school story yet written bar none. Here we have a continual stream of young officers to train as scouts and snipers and there has been a great run on David, as many as three copies of him on one course. Many of the lads who have come have few if any memories of anything but home and school as this is a young man's job. I think you would perhaps like to know the pleasure your book has given to these very fine and gallant lads who come to first army training school from the trenches.

A letter from WWI's Major Hesketh Hesketh-Prichard to E. F. Benson over David Blaize's popularity in the British army.

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