Moonlit Scene, Houses at Night, Léon Bonvin, 1864
Cluett, Peabody & Company, Inc., 1950s.
WHAT EVER HAPPENED TO BABY JANE? (1962) Dir. Robert Aldrich
A mourning ring is a ring which is worn in memory of somebody who has passed away. The stones mounted on the rings are typically black. Sometimes hair of the deceased would be incorporated into the ring.
The photographs above show some Victorian and Georgian mourning rings.
Christopher E. Case (July 3, 1950 – October 1, 2024) Our brother Chris took his final rest on October 1, 2024 after an extended illness. He was born in Savannah, raised on Tybee Island, and retired to Claxton. He served twenty years in law enforcement, retiring as Major of Police on Tybee Island. He was instrumental in certifying and modernizing the Tybee Police force, and as a member of GPAC and CALEA, worked to train and certify a number of small municipal Police forces across the state. He received numerous commendations for his work. Chris loved music and was a talented musician; The Beatles, Simon and Garfunkel, Jackson Browne, and Tom Petty were among his favorites. He enjoyed playing in a band of police officers, Signal 29, on Tybee and in Savannah. He rescued and adopted many stray cats over the years. Everyone on Tybee knew to take injured and pitiful cats and kittens to Major Case, and he would care for them. He especially loved "Mrs. Peel" and "Ed". Chris was a graduate of Georgia Tech, a Naval Officer, and a published author.
Thank you again, @leadchain, for being so kind as to send me this.
Mr. Case wrote two wonderful World War II novels featuring gay/bi male characters: Wingmen (1979) and Beach Head (1983). They're both currently out of print, but are available for download on my side blog (link).
Guy Madison in Honeymoon, 1947 dir. William Keighley
Fisher boys Falmouth by Henry Scott Tuke
Passengers on cruise ships in the 1950s and ’60s.
I hate her! Oh, oh, I'm sorry. Please, no, I didn't mean to hurt you. Please, I love you. I hate you! I love you. Goddammit, I hate you!
STRAIT-JACKET 1964, dir. William Castle
On a January day in 1948, a hefty book filled with turgid scientific prose, and scores of tables and charts, landed amid an unsuspecting American public. The tome reported, matter-of-factly and without judgment, that American men were up to all manner of sexual exploits behind closed doors, and that the minds of huge numbers of them were churning with taboo desires.
The book, Sexual Behavior in the Human Male, by biologist Alfred Kinsey of Indiana University, was an utter revelation for a populace living in a time when masturbation was frowned upon, oral sex (even between husband and wife) was illegal in some states, and homosexuality was considered an extremely rare, criminal deviance.
Overnight, millions of American men realized that they were not lone freaks for doing what they did.
Based on thousands of exhaustive, confidential interviews with churchgoers, college students, prison inmates and more, Kinsey reported, for example, that 92% of men had masturbated and half of married men had had extramarital affairs. A full 37% of men said they had had some form of homosexual experience at some point in their lives.
Five years later, Kinsey’s second volume — Sexual Behavior in the Human Female — came through with more revelations. A full 62% of women, for instance, reported they had masturbated, about half of the women said that they had engaged in premarital sex, and two-thirds of participants said that they had experienced overtly sexual dreams. The book was widely attacked as an affront to the dignity of womanhood.
Kinsey’s work did more than reassure people they were not alone: It highlighted a disconnect between certain laws of the land and actual sexual practice. “Everybody’s sin is nobody’s sin,” Kinsey once said.
Sex researchers say Kinsey’s biggest contribution was the sheer cataloging of variation. But his most-famous findings revolve around the issue of homosexuality. He devised the famous Kinsey scale — a numerical gradation of levels of homosexual orientation, with 0 representing those who were exclusively heterosexual and 6 being exclusively homosexual. The scale is still used by researchers.
Kinsey also reported that 10% of the men he interviewed said they engaged in predominantly homosexual activity between the ages of 16 and 55. “That changed the thinking about homosexuality,” says Dr. Jack Drescher, a New York psychoanalyst. “If it was more common than people thought it to be, then perhaps it was what we would call a normal variation of sexuality rather than a form of mental illness.”
Perhaps above all, researchers say Kinsey’s work and the later studies it inspired showed social scientists, public health workers, therapists and geneticists just how much there was and still remains for them to study.
Based on work such as Kinsey’s and Evelyn Hooker’s, the American Psychiatric Assn. voted in 1973, after intense debate, to drop homosexuality from its Diagnostic and Statistical Manual of Mental Disorders.
Today, experts believe that Kinsey’s precise numbers were inflated, partly because the people he interviewed to draw his conclusions — especially in the book on males -- were not nationally representative. A posthumous reanalysis of his massive dataset found that when interviews from prisoners and other sources likely to over-sample the number of homosexual participants were removed, the percentage of those with exclusively homosexual experiences fell to 3%; another 3% reporting that such experiences were extensive but not exclusive. Those figures are in line with more recent studies.
Kinsey, meanwhile, has been accused of, or credited with — depending on one’s point of view — doing more than laying the groundwork for a new field. He radically altered the way society thinks of sex, and ushered in far greater sexual freedom.
“His influence was tremendous — it opened up the field,” says Vern Bullough, founder of the Center for Sex Research at Cal State Northridge, and author of Science in the Bedroom: A History of Sex Research.
Full article: "The Kinsey Effect" [Los Angeles Times]
‘On Sat. I met Robert Graves... No doubt he thought me a slacker sort of sub. S.S. when they were together showed him my longish war-piece “Disabled” (you haven't seen it) & it seems Graves was mightily impressed, and considers me a kind of Find!! No thanks, Captain Graves! I'll find myself in due time.’
— Wilfred Owen to his mother, Susan Owen (14 October 1917)
Fred Astaire’s employee card at Columbia Pictures, 1942
The Haunted House (John Atkinson Grimshaw, 1874)
1937
Steamy Saturday
- "The lemonade was spiked. The woman was near naked. . . . he hadn't wanted her advances."
- ". . . he began to find that peaceful co-existence was a hard endeavor."
- "His twilight path began shortly after Mildred had seduced him, but the second seduction being by a boy near his own age."
- ". . . you can't help but feel a kindred sorrow for this boy. . . ."
- "But it was another of many episodes which caused him to become Lost on Twilight Road."
Young Lonny knew who he was and what he desired, but the machinations of others forced their values and desires on him . . . until he met Gene Styles. Such is the premise of Lost on Twilight Road by James Colton, published in Fresno, California by National Library Books in 1964. Fortunately, there is a happy ending for Lonny and Gene, which is not always the case in 1950s and 60s gay fiction.
James Colton is a pseudonym for the popular American crime writer and poet Joseph Hansen (1923–2004). In the 1960s he wrote for the American pro-gay publication ONE, and later hosted a radio show called Homosexuality Today, and helped organize the first Gay Pride Parade in Hollywood. His Dave Brandstetter private-eye series features a hardboiled private investigator who is also openly gay, and is cited as a groundbreaking character in gay fiction and crime fiction. Hansen was awarded a Lifetime Achievement Award from the Private Eye Writers of America, as well as two Lambda Literary Awards for Gay Mystery from the Lambda Literary Foundation.
The publisher, National Library Books, was founded by Sanford Aday and Wallace de Ortega Maxey, members of the American gay rights organization, Mattachine Society.
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"You can't just go around killin' people whenever the notion strikes you. It's not feasible." — BORN TO KILL (1947) dir. Robert Wise
the origin of the letter 🇦
(from the documentary The Secret History of Writing, 2020)