Timm Ulrichs - A Wolf in Sheep's clothing - a Sheep in Wolf's Clothing, 2005/10
(Wolf im Schafspelz - Schaf im Wolfspelz. Ein Verwandlungskunststück), installation, stuffed animals
Timm Ulrichs, Der Findling (Performance), 1978/80/2.-3.5.1981
Foundling (performance) 10 hours in a closed stone
SHERRIE LEVINE - ANTELOPE SKULL, 2006
Sherrie Levine, Selected Works 08 NOVEMBER - 15 MARCH 2014 CHARLES RIVA COLLECTION BRUSSELS
ELMGREEN & DRAGSET, "He", 2013 at Frieze London 2013
Epoxy resin, silver coating, lacquer, 190 x 160 x 120 cm Installation view; Galerie Perrotin at Frieze Art Fair London 2013
Work © Elmgreen & Dragset, Galerie Perrotin Photograph: © Trinity ∴
Paul Thek - Hippopotamus Poison, 1965
Wax, stainless steel, and plexiglass, Collection: MoMA, New York
Alice Anderson - Architecture in Progress, 2013, canvas mummified with copper threads
Felix Gonzalez-Torres - Untitled (NRA), 1991
Offset print on red paper, endless copies, 20,3 x 147,3 x 106,7 cm Collection: Astrup Fearnley Museum of Modern Art, Oslo
Felix Gonzalez-Torres - "Untitled" (Death by Gun), 1990
Print on paper, endless copies, Stack: 9" at ideal height x 44 15/16 x 32 15/16" (22.9 x 114.1 x 83.6 cm) Collection: MoMA, New York
Joseph Beuys, Unschlitt/Tallow, 1977, Twenty tons of tallow fat cut into six elements, Marx Collection, Hamburger Bahnhof
Unschlitt/Tallow was created in summer 1977 for the exhibition Skulptur in Münster. Joseph Beuys filled a dead space of a concrete construction for a pedestrian tunnel with animal fat. The senseless urban construction was to be transformed with a healing substance. Fat, a source of energy for the body, was used as a positive substance to rescue a cold, wounded place. After being removed from the mold, the sculpture was cut into six segments which comprise the work.
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