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The Maldives of Consciousness, 2019, Monika K. Adler

These works form part of a new series that looks at what lies on the periphery of human consciousness; what is in the realm of our cognition, and what is ineffable? In our hyper-socialised societies, the ability to find the transcendent in the matter that surrounds us, the places we inhabit, has waned, where in the past it gave meaning to our lives.

On the Maldives of Consciousness I rest myself. Over the virgin and the whore. Over Genitals. Over Mothers, Sons and Fathers. Over God and Ego: my own and others. Over the Homeland. Over History and Fairy tales. Over Corpses and Babies. I am resting. On the Maldives of Consciousness.

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Live From The Crucible by Mark Aerial Waller to be broadcast on Channel 4, Random Acts, Tonight, 00:50

Mark Aerial Waller’s film Live From The Crucible will be broadcast tonight 00:50 as part of Channel 4′s short-form arts strand Random Acts.

The filmwork features narration by the British Artist/ Writer/ Curator Douglas Park.

For more info and to view online see: http://randomacts.channel4.com

image: Mark Aerial Waller, Live From The Crucible, 2013, colour, sound, 3 min

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New video work  by Monika K. Adler: Memoire Involontaire.

The Grandson of a Gulag prisoner suffers from historical trauma resulting from a cataclysmic history of genocide across generations. The collective emotional and psychological injuries cause unsettled emotional trauma and depression. He tries to purify and heal memories.

Performance: Aeon Rose

Photography: Monika K. Adler | David Rice

Directed by: Monika K. Adler 

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The Ambivalent Body: On The Short Films Of Monika K. Adler

Recent Work By Trinity ∴ Publication Design and Production for the book The Ambivalent Body: On The Short Films Of Monika K. Adler By Robert Smart.

A study of the work of Polish artist / filmmaker Monika K. Adler by American writer and film critic Robert Smart. “Historical violence haunts the short films of Monika K. Adler. The bodies of her female protagonists are carriers of traumatic memory. Even apparently consensual encounters carry this residue of past horrors.”

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