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Where the Moss Grows

@ahuuda / ahuuda.tumblr.com

personal blog, 28
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lordsmaf

I will forever respect Animorphs for tricking kids who are just really into animals to read a book series by going “Hey you, you daydream about what it’s like to be a dolphin or a bird or a wolf? Have I got a book for you!” and then slowly radicalizing them with 50+ books of “There are no winners in war. Whatever ‘victory’ you perceive comes at the cost of sacrificing your own morals and killing the part of you that is human. In the end you will resort to murder, torture and war crimes and the knowledge of what you have done will haunt you for as long as you live.”

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I keep thinking about a modern Animorphs AU and I’m so in love with it It honestly has so much fun potential and I could go on forever about it, but here are just a few headcanons I have:

Jake

  • He just doesn’t Get social media
  • Marco’s always telling him to update his profiles more, but he never does
  • Only really goes on facebook and the occasional forum or chatroom
  • Most of his posts are Marco tagging him in things
  • Him and Tom would play video games a lot together, and Jake still tries to get him to play more
  • Jake usually just resorts to going to Marco’s house
  • Probably has a very dad-like phone case for his smartphone
  • Marco and Rachel make fun of him for it
  • Likes really outdated memes (Marco groans in the distance)
  • Someone please help this child

Rachel

  • Gets in trouble for wearing crop tops at school
  • Has an aesthetic blog on tumblr
  • Lives on Instagram and pintrest
  • Her room looks like something straight off of pintrest
  • Watches so many beauty vloggers on youtube
  • Secretly wants to start her own beauty channel, but knows that she can’t being an animorph
  • Sends Cassie beauty and fashion hacks and tutorials all the time with the hope that she’ll get into it
  • It doesn’t, but she still does it

Tobias

  • Spends a majority of his life online
  • Stays up until 3am on school nights going through reddit
  • The pirate KING
  • Has folders filled with illegally downloaded music and movies and anime
  • As a hawk, one of the animorphs brings him a tablet to use in the forest
  • He shows Ax anime
  • This was a bad idea
  • Everyone thinks he’s really tech savvy but mostly he’s just really good at googling things

Marco

  • He owns so many video games and different consoles oh my god
  • He always invites Jake over to play
  • Spends his nights trolling online
  • This boy is the absolute meme king (But let’s face it, that’s not even a headcanon. We all know this.)
  • He always sends Jake memes and funny posts he finds
  • Just take this moment to imagine Marco sending Jake cursed images or out of context gifs and saying “this is you”
  • Posts selfies c o n s t a n t l y
  • Literally all of his selfies have all these filters and he does all the stereotypical douche poses
  • Probably posts at least one selfie a day and brags when it gets liked
  • Jake always likes out of pity
  • Tries to grow his hair out for a man bun because the ladies will love it
  • Rachel tells him this is not the case. He ignores her

Cassie

  • She’s had the same smartphone for the longest time
  • Honestly the only reason she has a smartphone is because Rachel finally convinced her to join modern life
  • The screen is incredibly cracked because she keeps dropping it while working with the animals
  • Like Jake, she doesn’t really get social media, either
  • She follows so many animal pages on facebook though
  • She just doesn’t get internet humor
  • Sometimes she thinks she gets it, but she never does
  • Rachel and Marco die a little bit on the inside every time Cassie brings up something she found online because it’s always old and outdated jokes and memes
  • Jake always laughs though
  • Accidentally liked an old picture of Jake once
  • She texted Rachel frantically asking her what to do
  • Rachel was dying
  • Honestly Jake probably didn’t even notice. He was just happy Cassie liked one of his pictures

Ax

  • Marco showed him a meme once. He had no idea what the point of it was, but now he won’t stop trying to reference memes. Marco regrets his decision. Tobias tries to help him understand memes more. It’s a lost cause. Ax now brings up memes at the worst possible times.
  • Remember how I said Tobias showed him anime. Ax loves anime.
  • He ends up getting into quite a few of them and sits in the forest draining the battery of their electronics
  • He doesn’t even need subtitles because of his translator chip
  • Tobias gets frustrated because every time a new episode of the anime they’re watching comes out, Ax watches it before him and is really bad with spoilers
  • Scoffs at touch screens (“You need to use a screen to touch? A hologram would be much easier.”)
  • Marco insists on setting up a facebook profile for Ax’s human morph because he thinks not having a facebook in modern day might make controllers suspect him
  • Now imagine Marco helping Ax take selfies for his new profile
  • Words cannot even begin to describe that shipwreck
  • The other animorphs cannot stop laughing at how ridiculous his pictures are
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She had this way of seeming untouched by what went on around her. Unaffected. Above. She was a person who could walk through a car wash and come out dry. She could move through a mosh pit and never be jostled. She could wear a white dress to dig in the mud and somehow never get a spot on her. But the war had touched her. She’d changed, and she’d known she was changing. The war had revealed a hidden part of her soul. She alone, or all of us, she alone liked it. Loved it, even. She had enjoyed the fight. Sometimes I imagined her as a Viking. Or as a knight on a quest. That’s what she was: a joyful warrior.

Cassie, Book #54: The Beginning, pg. 34 (by K.A. Applegate)

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30 Days of Animorphs

Jake.  (In case you couldn’t tell from my URL, my fic, my previous blog posts, etc.)

What I love about him:

  • His (lack of a) sense of humor
  • Jake is so adorably awkward every time he tries to be funny, because he’s terrible at it.  It’s some combination of his utter inability to grasp comedic timing (“I said you’d have to be nuts… oh, never mind,” #17) and everyone else’s tendency to take everything he says seriously (“… and then I’ll be the Jake Formerly Known as Prince!” #18), but I love that he’s the only one of the main six who consistently fails at using sarcasm and irony.  Except, of course, when he gets angry.
  • The pissy-sarcastic losing his temper moments
  • “So, there we were, suddenly appearing the middle of a bunch of tents full of guys wearing armor. Naturally we figured we’d better lie low. Not attract attention. Not cause any trouble… I figured I’d try the subtle approach.  But, of course, that’s just me. It hadn’t occurred to me that what I should do is morph into elephant and STOMP PEOPLE INTO THE MUD!” (MM3) will probably always be the best Jake rant of all time.  But there are some other really spectacular ones in #35 (yelling at Marco to stop worrying and get his shit together or they’re all gonna die), #9 (calling Cassie on her BS by offering to go explain to Tom that according to her view he deserves to have a yeerk in his head), #12 (going nuts over people quibbling about crocodiles vs. alligators in the middle of a life-and-death situation).  Part of what’s so awesome is that he almost always uses sarcasm to get the person he’s arguing with to back down, by really cynically deconstructing his opponent’s logic.  
  • … and the moments when he doesn’t lose his temper
  • Jake just accepts Marco’s decision to tell his dad everything.  It’s over with, it’s done, and Jake knows that what Marco needs right then isn’t more recrimination, it’s support (#45).
  • When Cassie quits (on more than one occasion), Jake doesn’t contest that decision, and he doesn’t raise any protest when she wants back in.  He lets her walk away if she wants, and can’t fault her for doing so (#19, #43).
  • Jake pretty much never pushes back against Mean Rachel, even when she’s threatening to kill Marco.  Like an airbender, he just (verbally, and then physically) dodges out of her way and lets her tire herself out without ever bothering to attack in turn, because he understands that fighting her will make the situation worse, not better (#32).
  • He also doesn’t contest pretty much anything David says, right up until he can maneuver David into a position that there’s no doubt who’s in the wrong.  Even when the chips are way, way down Jake never loses his cool when it comes to dealing with the David situation (#21, #22).
  • His discomfort with leadership
  • One of Jake’s most-repeated lines is “I’m not anyone’s dad” (that and “It’s all my fault” are practically his catchphrases), and he repeatedly shows that he fully understands the limits of his responsibility for the others.  Jake doesn’t hold any real authority, and is painfully conscious of it; if anyone outright rebelled against his leadership (which Rachel comes close to doing in #22 and #48), he wouldn’t be able to do a damned thing to stop it.  For Jake, his first and last role as a leader is to be the one who takes responsibility for the hard calls.  That means he’s the one who decides when to leave Cassie to face the Veleek on her own (MM1), when it’s more important to make a tactical retreat than trying to save endangered teammates (#41, #33), when to sacrifice the few to save the many (#16, #52), and when to abandon a mission as hopeless (#1, #44, #20).  And that means that if someone dies (when Rachel eventually does die), it’s his fault.  He knows that that’s the ultimate meaning of leadership in this context, and that’s a big part of the reason he’s so reluctant—it’s not false modesty, it’s fear of responsibility.  It’s the knowledge that one of these days the worst will happen and he’ll be the one left holding the ball.
  • … and his secret, guilty pleasure in being a leader
  • As the series goes on, Jake becomes downright manipulative.  Of everyone.  Maybe the scariest moment happens when he maneuvers Tobias into volunteering to get tortured and possibly murdered in #33 because he doesn’t want to suggest it himself, but there are a bunch of other moments where Jake’s apparently egalitarian tactics are basically just a way to get what he wants.  Think about the number of times “drawing straws” ends in Jake being the one with the difficult job on the team (#9, #18, #27).  There’s also the fact that, for all that Jake absolutely loves calling for a vote, pretty much every single vote the Animorphs make ends up going the way he wants it to (#52, #7, #9, MM3, #49, #43, etc.), because Jake understands the group dynamic perfectly: all he has to do is declare a position and Ax will either back his play or abstain, Cassie will go along with him to avoid conflict, Marco will back him up because Marco trusts Jake way too much, and even if Rachel and/or Tobias disagree they’re already outvoted.  Marco actually expresses admiration for how sneaky Jake has become by #25 when Jake sends Cassie to tell Marco that they followed Marco’s girlfriend around to make sure she wasn’t a controller.  I love just how much Jake becomes addicted to the war, addicted to the sheer amount of power the war gives him, but never really recognizes it in himself even though Marco and Rachel are all too quick to call him on it.
  • The fact that he’s not that smart
  • As Marco so bluntly explains in #54, Jake is no tactical genius.  He’s not a brilliant strategic mind who outsmarts his enemies with complex Rube Goldberg plans, because his great strength as a leader is his combination of ballsiness (in trying absolutely anything it takes to win) and opportunism (in adapting rapidly to curveballs like Tom’s yeerk rebelling by using them to his advantage).  Jake himself specifies in #1 that basketball and video games are pretty much the only important things in his life… and he’s not good enough at video games to beat Marco, nor is he good enough at basketball to make his school’s team.  We see him demonstrate a pretty questionable grasp of math (#4), science (#11) and literature (#27).  It’s a refreshing change from the nerdy heroes that so many nerdy writers love to create, because there are far too many books out there where the dumb jocks are the villains.
  • … and all the ways in which he is quietly brilliant
  • Jake understands other people. And even when he doesn’t, he keeps working at it for as long as it takes.  Big-picture thinking and complex strategizing don’t come naturally to Jake, but he works at learning those skills because he understands how important they are. It takes Jake forever to understand what David’s motivation is, but he spends almost the entirety of #21 turning the problem over and over until he finally gets there. He doesn’t know how to plan a complex long-term fight, so he studies military history and leadership theory throughout his (nearly nonexistent) spare time trying to learn. Jake commits himself 100% to any problem that comes his way, persisting in the face of failure, and that’s what ultimately makes him a smarter and better leader than someone with Marco’s analytical brilliance but relatively thin skin could be.
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“People don’t understand the word ruthless. They think it means ‘mean.’ It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it.”

- Marco, Book #30: The Reunion, pg. 71 (by K.A. Applegate)

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I think that one of the funniest things about the “Earth is a death planet and human’s are space orcs” posts and stuff is that that’s literally a major plot point in Animorphs. Like, the aliens in the series frequently comment on how there is just an extremely excessive amount animals with unique ways to kill or maim you on the planet, and that humans, despite looking fragile and weak in comparison, are scary as shit because they’re stubborn and ruthless and refuse to stop even when any sane species would have given up ages ago. Like there are aliens described as “walking salad shooters” with bladed spikes shooting out all over their bodies, and then you find out that all of that is just so they can harvest tree bark to eat and a whole army of them can be disabled by a single skunk. It is described in loving detail all the different ways a house cat can fuck you up, and don’t even get me started on actual predators and the damage they can do when a ridiculous stubborn, reckless, and creative human brain is what’s controlling them. The alien invaders comment about how they’re going to have to basically kill off 90% of earths species once they win the war because the planet is so damn excessive about this whole ‘murder animals’ thing, and sometimes they’re even like “you know, in hindsight, this is not nearly as easy as we assumed it would be”

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Why were we allowed to read Animorphs as kids, anyway?

It’s a question I see come up in this fandom again and again: How the heck did Animorphs books make it into school libraries and book fairs across the country to be marketed to eight-year-olds when they feature drug addiction, body dysmorphia, suicide, imperialism, PTSD, racism, sexism, body horror, grey-and-black morality, slavery, torture, major character death, forced cannibalism, and genocide?  

To be clear, I don’t actually know the answer to that question.  It is, admittedly, a little odd to consider, especially in light of the fact that Bridge to Terabithia gets banned for killing one character (much less several dozen), The Witches gets banned for having a character trapped in the body of an animal (without even going into issues of predation or body horror), The Chocolate War gets banned for having moderately disturbing descriptions of violence between teenagers, Bird gets banned for dealing with the realities of drug addiction, Winnie the Pooh gets banned for having talking animals, Harriet the Spy gets banned because the main character lies to her parents, and The Secret Annex gets banned because Anne Frank describes normal teenage puberty experiences throughout her diary.  And yet Animorphs was marketed to children as young as six nationwide, and (despite selling better than even some classics like The Chocolate War at its peak) no one ever bothered to burn those books or cry that they would rot children’s minds.  

If I had to take a wildly inexpert guess, knowing as little as I do about the publishing industry and the standards parent groups use to determine whether books are “moral,” I would venture to speculate that there were several different factors at work.

  1. Grown-ups judge books by their covers just as much as children do.  For proof of that phenomenon, just scroll through the Animorphs tag on tumblr, any relevant forum on Reddit, or any old post that uses that stupid meme.  The book covers suggest that the stories inside will be silly, campy adventures about the escapist fantasy of turning into a dolphin or a lizard.  People don’t look too closely at the books with the neon candy-colored backgrounds and the ridiculous photoshop foregrounds, especially not when they imply a promise that the novels themselves will be the most inane form of sci fi.  
  2. There’s no sex.  To quote the show K.A. Applegate most loves to reference: “I guess parents don’t give a crap about violence if there’s sex things to worry about.”  The large majority of books that get banned from schools are thrown out for having sexual content: the freaking dictionary was banned from California schools for explaining what “oral sex” is, And Tango Makes Three was removed from shelves because apparently married couples are inherently shocking if they happen to be gay, and the list of most-banned books in the U.S. is full of books which explain in perfectly child-appropriate terms what puberty is and where babies come from.  Animorphs, by contrast, never gets more explicit than Marco calling Taylor a “skank” or Jake and Cassie’s few stolen kisses.  The only mentions of nudity are implied (and even then only when the kids are first coming out of morph), and the most explicit thing we ever hear about Rachel and Tobias doing is staying up late in her room to do her homework together.  It becomes unbelievably obvious in retrospect that there’s a decent level of queer representation in the books (Marco repeatedly describing both Jake and Ax as “beautiful” or “handsome,” Mertil and Gafinilan, multiple characters casually morphing cross-gender), but it’s also possible to overlook the queerness if you don’t know it’s there.  There might be explicit autocannibalism in this series, but at least it never uses the word “nipple.”  
  3. There’s no profanity.  Again, there’s a strong implication of profanity—Rachel and Jake especially often “use certain words to describe things” in a way that makes it incredibly obvious what they’re saying, and context clues tell us Ax says “fuck” at least once—but given that the strongest expletive that comes up with any regularity is “good grief,” this can act as an obvious (if dumb) heuristic for parents that a book is appropriate for children.  People love to count the swear words in Catcher in the Rye when describing why it should be banned (generally without, heaven forbid, reading the goddamn book).  Other works such as To Kill a Mockingbird have been banned for using a single word, regardless of context.  If a parent is looking to object to a single word or set of words as grounds that a book is inappropriate, the worst they’re going to find is half a dozen instances of “heck” and maybe a dozen of “crap.”
  4. Some of the worst content is context-dependent.  As I pointed out above, at least five or six different characters (Tobias, Arbron, Alloran, Tom, Allison Kim) attempt suicide over the course of the series.  At least three or four species that we know about (Hork-Bajir, Howlers, Nartec) get largely or entirely annihilated.  However, in order to understand that any of that occurs, you actually have to read the books.  Not only that, but you have to read them closely.  Cates pointed out that some of the most disturbing passages from #33 are, in a vacuum, just descriptions of blinking diodes and weird hallucinations.  The description of Tobias attempting suicide is just a long list of mall venues that flash by as he zooms full-speed toward a glass wall.  Even the passages with Rachel threatening David (or carrying out those threats) don’t make much sense unless you know how a two-hour limit on morphing works.  For the parent skimming these books looking for objectionable content, nothing jumps out.
  5. The books are, in fact, appropriate for children.  This quality is what (I believe) prevented parents like mine from taking the books away from us kids even after reading several entire novels out loud to us before bed.  The books contain violence, but they sure as hell don’t condone it.  They touch on subjects such as drug addiction and parental abuse, but they do so from the point of view of realistic-feeling kids and don’t fetishize that kind of content.  Most of the lessons contained within are tough—that there’s no such thing as a simple moral code, that people with the power to prevent atrocity also have the obligation to do so, that members of the hegemony aren’t actually all that special, that the world is a scary and violent place for most people who have to live in it—but they’re also important lessons, and good ones to teach to children.  I would be comfortable with my own children (assuming I had any) reading these books at the same age I started reading them, in first and second grade.
  6. You have to understand the fictional science to understand (most of) the horror.  Trying to describe some of the most horrifying passages in Animorphs is like “and then they flushed the pool for cleaning, but the pool was full of slugs!” or “but she explained to her son that she had to have a parasite in her brain so the parasite’s friends wouldn’t be suspicious!” or “and then the hawk ate a rabbit, as hawks are wont to do!” while one’s non-fandalite friends stand there and go “… so what?”  The laws of Applied Phlebotinum in the series turn those earlier moments into a war crime, an assisted quasi-suicide, and a loss of identity, respectively; however, you have to understand the laws of applied phlebotinum in order to know that.  For anyone not reading closely, the horror can be overlooked.  For those of us who are reading closely, phrases such as “host breeding program,” “fugue state,” “eight minutes too late,” and “the howlers are all children” (or any mention at all of people being injured while taxxons are in the vicinity, for that matter) are enough to chill your blood.  But again, for that to happen, you actually have to read the books.  Which we can assume most of the people skimming for curse words do not.
  7. Some of those exact same premises wouldn’t be horror at all if handled by a different author.  K.A. Applegate subverts the “wake up, go to school, save the world” trope; normally premises that feature teen superheroes fighting aliens are considered appropriate for all ages (e.g. Avengers Assemble, Kim Possible, Teen Titans) because they feature bloodless violence and gloss over the question of whether aliens are people too.  The utterly arbitrary standard that kids should be allowed to see violence but not blood allows for justification of movies like Prince Caspian, Night at the Museum, and Ghostbusters to feature characters getting murdered in all kinds of ways in PG-rated movies.  “Violence” and “sci-fi violence” are two different categories according to the MPAA rating system; guess which one gets a lower rating.  Of course, there’s a crapton of science showing it doesn’t make the tiniest bit of difference to kids whether or not they see blood, they’re still gonna learn violent behaviors and potentially be traumatized, but again where the arbitrary standard persists.  Therefore, if most of the premises of Animorphs books don’t sound horrifying, they must not actually be horrifying.  Right?
  8. The books are almost as light as they are heavy.  Part of the reason I have comfortably loaned my copies of the early books to friends with ten-year-old kids is that it’s not primarily a downer series.  Animorphs aren’t R.L. Stein books, which always end on (the implication of) the protagonist’s death.  They’re not uniform horrorfests like Dolls in the Attic or Scary Stories to Tell in the Dark.  Applegate doesn’t fetishize violence the way that Cassandra Clare and Ransom Riggs do.  The most-quoted passages from these books are the ones that are funny, not horrifying.  These are stories about the joy of aliens discovering Volkswagen Beetles, about the wonder of being able to fly away from one’s life, about friendship and the power of love being enough to make the gods themselves sit up and pay attention.  The whole saga tells the story of six kids sacrificing more than their lives to save their families, and of how that sacrifice brings down an empire.  I suspect that many parents were either paying so little attention they didn’t realize these stories could be classified as battle epics or as kiddie horror, or else were paying so much attention that they concluded that this series is a battle epic worth reading.  

Then again, maybe there was a whole other set of market pressures which accounted for the lack of censorship which I don’t know about.  If so, the economics side of tumblr is encouraged to enlighten me.

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dr-jekyl

Speaking from my experience as an (ex) public librarian here, I’d say that all of those are valid points.  But, ultimately, I think that they - and a few others I was going to add (around the value of science fiction and the lack of formal study or requirement to read) - come back to a single factor: 

The people most likely to complain are least likely to read.

I’ve never encountered a wowser who was well-read.  And by well-read, I don’t mean ‘well-versed in the English Literary Canon of Dead White Dudes’.  I mean someone who has read, who reads, who takes enjoyment from reading.  Someone who reads because it is a pleasure to do so.

Someone who doesn’t read will simultaneously under and overestimate the impact that a book can have on its reader.  That’s human nature, cognitive bias at play.  In particular, we have interplay between:

  • The Dunning-Kruger Effect People who don’t have the skills to properly engage with a text will overestimate their ability to do so, and underestimate others’
  • The Third Person Effect People perceive that media has a greater impact on others than themselves
  • Trviality Bias People latch onto minor, incidental details of something because they are easier to understand.
  • Empathy Gap People are very bad at judging their own emotional states, and the states of others

In other words, wowsers who don’t read imagine themselves to be expert readers when in reality they’re not engaging with the text very effectively at all.  What they’re doing instead is latching onto trivial controversies - a mention of sex, a swear word, talk of the Dreaded Gays, Are You There God, it’s Me Menstruation - which trigger a visceral, emotional reaction.  And then, because they imagine themselves to be well-adjusted experts, they presume that everyone else will have an even more extreme reaction.  Ban that Book!

But because they don’t have the skills to engage with the text in anything more than a trivial fashion, they don’t understand subtext.  At all.  Anything that isn’t obvious, there on the page (and some of the stuff that is) - that shit just flies right on over.

Meanwhile, librarians tend to be both expert readers and good judges of reading competency in others.  And being experts and good judges (these two things don’t necessarily go hand in hand), a good librarian knows that reading expertise, and the ability to engage with a story beyond what’s just written on the page, is something that is developed over time.  A reader can only engage with a book to the extent of their expertise.

An eight-year-old who reads Animorphs and thinks it’s a rollicking adventure with cool aliens is reading at an appropriate age level.  A twelve-year-old can read the same book and realise it has themes about suicide and talk about it with their friends will be reading at an age-appropriate level.  An adult can that same book and realise that it’s not just suicidal themes, but that the text has a densely layered narrative that’s fundamentally about what it means to be human, both physically (through the continued and sometimes extreme use of body-horror) and metaphysically (is it human to sacrifice?).  And that adult will be reading at an age-appropriate level too.  Same book, appropriate for multiple audiences, separated by their expertise in reading it.

Books and their readers are self-selecting.  Wowsers select ignorance.

Animorphs was banned in one of my school libraries. Naturally I just got them at the public library

i’m deeply grateful to have a word for that sort of people. ‘wowsers’ is so evocative.

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curlicuecal

Great animorphs meta AND great readership meta.

To paraphrase my favorite bit from the latter: “ ‘Wowsers’ don’t engage with the text beyond a visceral emotional reaction”

that explains……. so much

I keep having these conversations that are like “okay, but that’s a *topic*, you don’t even know what’s being done with it; how can you have opinions on *topics*?”

And this would be why. They’re not interacting with the content; they’re having a visceral emotional reaction to a trigger word.

…..that actually almost makes me more sympathetic. Still doesn’t justify all the harassment and abuse over stuff like shipping, and an individual’s associations with that ship, or lgbt+ representation or etc, but.

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Modern Animorphs AU

@jollysunflora, who suggested an AU with modern technology.  Going to split this one in half to avoid one ginormous post, because this is one headcanon per book.

1.    When Cassie calls out to Elfangor, Marco whispers, somewhat hysterically, “Don’t be silly.  Aliens don’t speak English.  Haven’t you seen District 9? Arrival? The Avengers?”

  • Elfangor proves them wrong, of course, but when Marco blurts out a question he merely explains (with a hint of amusement) there are some forms of communication more sophisticated than mere words.

2.     After Rachel sneaks back out of Chapman’s house, they listen intently to everything she describes.  

  • “So what you’re really saying,” Marco says, “Is that the yeerks have enough technology to travel between stars, create impossibly advanced illusions of just about anything, take over entire other species…  And all they did with it is make Skype 3D?”
  • “Yeah,” Rachel says, “but, like, good 3D.  Not shitty have-to-wear-glasses 3D.”
  • “Nah,” Marco concludes, “still lame.”

3.     Rachel gets Tobias a smart watch.  She tells him it’s so that he can keep track of their time limit, but in reality she knows he’s lonely and bored out there in the woods, and at least this way she can call him.  He can answer calls and check the time if nothing else; they talk for almost an hour before bed every night.

4.     With Ax’s help, they turn off location and tracking and wifi and cookies on their phones.  After that, there are a lot fewer meetings in Cassie’s barn, a lot more group messages with carefully coded content.  Tobias proves to have something of a knack for coming up with ways to talk about yeerk plans (usually disguised as discussions of video game or movie plots), suggestions of morphs slipped into long-winded anecdotes that happen to mention a single animal species by name, and meeting locations’ coordinates as extra phone numbers added to the group chat with no actual phones connected. Jake encourages them not to talk in person, once their phones are secure from traces, because it’s safer this way.

5.     After they get back from the mission, Marco spends almost two hours scrolling through Eva’s Facebook page, forever set to In Memoriam. The messages still come in sometimes, from friends and coworkers and distant family members Marco has never met; as the page admin, he filters them all.  

  • So much wasted grief, he thinks.  So much pain and loss and longing, all of it caused by the yeerks. Sound and fury, all over a death that never happened.  Helpless and sick, he writes on her wall one last time: “I love you, Mom.  I miss you.  I WILL find a way to help.”  And then he deletes the page.

6.     “Don’t send anyone to Jake’s house,” Marco says, “it’s too risky. Instead, we just have Jake…”  He gestures at Ax.  “Video-call his parents a few times a night to reassure them that he’s still doing just fine working on that project at my house and not…”  He gestures to Jake, who is currently tied to a chair with zip-ties using a technique Marco found on a Pinterest tutorial.

  • “Of all the stupid ideas you’ve come out with so far, that has got to be the stupidest,” Temrash 114 says in Jake’s voice.  “Do you seriously think my parents won’t notice anything off about Ax?  How clueless do you think they are?”
  • “They never noticed your sorry ass living in their house for over four months,” Marco says coldly.  
  • In the end, it works, more or less.  Jake doesn’t exactly appreciate the long lecture about communication when he finally gets home, but no one asks whether he was replaced by an alien so at least there’s that.
  • The next day, Tom’s inbox displays a single new email from an anonymous sender.

7.     Rachel’s Instagram account is, in many ways, its own work of art. She copies down famous quotes onto post-it notes with swirling writing, multicolored pens, and even tiny illustrations crammed between the words.  She has over 5,000 followers, and she doesn’t even think about how much she’s lost interest in the project until one of her mutuals messages her to ask when she’ll start posting again.  She opens her account and realizes that she hasn’t posted any new photos in almost a month, and stares at the multipack of micro-tip Sharpies on her desk for a few minutes before she shuts her laptop without responding.  

MM1.  They don’t worry about Rachel not texting them back—after all, her gymnastics camp is way off in the mountains and it’s entirely possible she doesn’t have a cell signal there.  It’s not until Ax tracks down her phone and finds it abandoned in her bag next to the bus stop that they all start to worry.

  • There’s a weird incident with a tornado at Darlene’s house in the middle of the Rachel crisis, but after the twenty-third different cell phone video of the incident gets uploaded to YouTube, the bizarre dust storm made of tiny mouths disappears into thin air and no one hears about it again.

8.     “I don’t think I can do yeerk pool reconnaissance tonight,” Rachel says.  “Too much homework.”

  • Ax sighs loudly. «Boo, you whore.» 
  • There’s a very long pause, and then Tobias says, «Okay, that’s it, I’m deleting your tablet’s Netflix app.»
  • «I much prefer YouTube anyway,» Ax says cheerfully.  «It has those shorter messages which play before the main video, and often concisely describe goods or services you can purchase through the use of bitcoins or other human currency.  Did you know that those messages change so that their information reflects your preferences for different types of internet content?  So informative!  So considerate!»

9.     The six of them spend over nine hours in the woods, morphing and demorphing and morphing and demorphing to try and keep their phones with them.  It shouldn’t be that different from morphing minimal clothing, especially not when (for instance) Rachel has her phone taped tightly to the inside of her arm, but even Cassie can’t manage it.  By the end of the exercise they’re exhausted, frustrated, and still short one solution for how to prevent Jake’s parents from freaking out when he regularly goes for several hours at a time without texting them.  

10.  “It’s really simple,” Marco says.  “When it comes to resources, there’s a clear power difference here.  I mean, seriously.  If you only had to bet on one horse, wouldn’t you bet on the one that owns half the planet?”

  • “It’s not about who has more toys.”  Jake shakes his head.  “It’s about doing what’s right.  And sometimes that means breaking the law.”
  • Marco throws up his hands.  “There’s nothing right about Captain America starting a freaking war just because he doesn’t like Iron Man’s law!  Anyway, what does he hope to accomplish outside of tearing the Avengers apart? He’s got, what, Hercules, Ronan, half a dozen other B-listers on his team?  Does he seriously think he can take on Black Widow and Ms. Marvel and like 700 Thunderbolts?”
  • Jake rolls his eyes.  “I think you’re forgetting that the Anti-Reg team has Luke Cage, Black Panther, Storm, and Daredevil.  Sometimes the battle itself is worth fighting, because the alternative is allowing a huge injustice to stand.  When the mob and the press and the whole world tell you—”
  • “Don’t go quoting the River of Truth speech at me.  We were having a perfectly civil conversation here!”

11.  Rachel uploads a cell phone video of Jake and Cassie square-dancing to Facebook.  Jake leaves dire warnings in the comments section, but Cassie gives it a thumbs-up and he stops threatening to murder his cousin.  

12.  “It’ll be okay,” Cassie mutters, “Just as long as my mom doesn’t start talking about Nice With Altruism.”

  • “What’s Nice With Altruism?” Rachel asks.
  • “You know, that one band with the initials NWA?  The one whose iTunes album popped up on my mom’s credit card bill?”
  • Rachel’s eyes widen in comprehension.  “Cassie, you minx!”

13.  Tobias becomes a grand master at taking out drones.  Each time he manages to snatch one out of the air he immediately dives, hurling it toward the ground at the last second as he flares and swoops away from the metal and plastic exploding on the pavement below.  Afterwards, he brings the broken pieces to Ax for dissection like a housecat bringing home kills to a proud parent.  Some are yeerk (spy cameras or hunter-tracker bots), some are purely human (neither of them exactly feels guilty about destroying some rich creepers’ toys) and some are disguised as human devices but with yeerk tech inside (“like a human-controller!” Marco says, and no one laughs at his joke). The yeerks notice that their spy bots disappear all the time, of course, but can’t do anything about it short of sending an entire helicopter to check on that one section of woods.  

14.  After Cassie posts her first and only Facebook selfie, brand-new Aeropostale outfit and all, Marco writes a fifteen-sentence treatise in the comments section to the blinding power of her beauty, which has stabbed him through the heart following this magnificent transformation.

  • “How much money did Rachel add to your Steam Wallet to get you to do that?” Cassie asks him in Messenger.
  • “$10,” Marco tells her.  “Would have done it for $5.”
  • Jake, meanwhile, likes Cassie’s photo.  After a minute he goes back and changes the thumbs-up to a heart. Then he panics, and changes the “love” back to a “like.”

15.  “So we can’t morph brain-control chips,” Rachel says, “and we can’t morph cell phones.  Maybe it’s just that we’re not allowed to morph technology?”

  • «That doesn’t make sense at all,» Ax says.  
  • “Do you have a better explanation?” Marco snaps, more harshly than he means to.
  • «No,» Ax admits.  
  • Rachel claps her hands.  “All right, then.  That’s the one we’re going with.”

16.  “I lost my phone,” Jake tells his mom for the third time that year. This time around he’s even telling the truth.  Nevertheless, she grounds him.  He sneaks out anyway.  She grounds him more when she catches him, and he waits until the middle of the night before he once again sneaks out.  He starts timing their fights so that, when he has to disappear from all text contact, she mistakes it for the silent treatment.  He hates himself a little more every time it happens.

17.  “Send help!” Marco texts.  “I told my dad that I bought so much oatmeal because it was gluten free, and now he has us BOTH on this stupid fad diet.”    

18.  When getting new shoes, new clothes, or food on the fly, Ax always buys for them.  He does something with his home computer that allows him to literally make his own bitcoins, and so for now the limits of his bank account are nearly infinite.  One of these days he’s going to get his accounts shut down by the NSA, but for now he’s (as Marco says) their sugar daddy.

MM2.  “You know what’s not fair?” Marco calls over the building storm.  

  • Jake sighs.  “The fact that we’re out here at all?”
  • “No!” Marco gestures over at where Rachel and Cassie have both kicked off their boots—Uggs and Timberlands, respectively—and are starting to morph with the rest of their clothes still on.  “How come girls get to wear yoga pants and camisoles in public, while if guys tried that same look we’d be the laughingstock of Reddit in less than an hour?”
  • “Because,” Rachel calls back, voice dangerously sweet, “if we’re not going to get equal pay, reproductive rights, the ability to choose our own standards of appearance, or a say in Congress, then the least we deserve are a few consolation prizes.”

19.  The Amber alert for Cassie and Karen floods the town, and for the next ten days until they’re found, the rumors fly throughout the school.  Brittany’s friend Alice heard on their school’s message board that Cassie killed herself.  T.T. was texting Andy, who said that Beth’s mom works for the school and she heard that Cassie kidnapped Karen.  An anonymous tip to the local police website posts a blurry photo of what appears to be a half-eaten body with some hysterical story about an escaped jaguar.

  • Rachel punches her classmate Allison for sharing a post which speculates that Cassie ran away from home to marry a guy twice her age she met on Tinder.  Allison tattles immediately, since (she tearfully tells Chapman) it’s not like she wrote the post; she was just sharing it.
  • Jake’s science teacher confiscates his phone after she catches him using it to watch a video in class.  However, after she discovers that he’s live-streaming footage of a Monarch butterfly chrysalis, she decides it’s probably educational and gives the phone back without even a demerit.
  • An anonymous post to their school’s confession board shows a cropped photo of Cassie, with text written over it: “Apparently, you have to disappear into thin air to get noticed around here.  I wish someone would pay this much attention to me.” Rachel recognizes the handwriting as Melissa Chapman’s.  

20.  David leans in close to whisper to Marco.  “It’s cool, see?  I figured out how to make sales on the dark web using information I got off my dad’s computer, and once I had a buyer I just emailed the guy to negotiate—”

  • “You sent him an email?” Marco’s voice gets a lot higher. “From your home computer?  Please tell me you’re not actually that stupid.”
  • Later that afternoon, the Animorphs assemble in the bushes outside David’s house.  «The yeerks have his location, and they’re coming now,» Jake tells them.  «So we break in, grab who we can, and run for it.» He hesitates, and then adds, «If we can only save one, the priority is David.»

21.  Jake is mid-mission on CounterStrike with David, not actually giving a damn about firing imaginary weapons at imaginary terrorists but trying to bond with the new guy in TeamSpeak, when David says, “Man, that carry. You’re awesome at this!  I bet you’re way better than Rachel, and she was bragging up and down about allegedly knowing shooters so well.  I hate fake geek girls like that, always talking about their lame records.  It’s like, go back to Animal Crossing!”

  • Jake straightens up in his seat, not even noticing when blood fills the center of the screen as he meets a messy end.  “Actually,” he says slowly, “Rachel kicks my butt every time we play this.  She’s right that she’s got a knack for it.”
  • “Ouch.”  David laughs. “Must hurt, getting owned by a girl.”
  • Jake forces a laugh of his own.  “Yeah, but at least she doesn’t gloat about it like Marco does.”
  • “Last time a girl thought she could beat me at this game, I doxxed the shit out of her.”
  • “You did what?” Jake demands.
  • “Chill.  It’s not like I hurt her or anything.  Me—and a bunch of other guys who got her info—were just sending the message that we saw through her bullshit and we weren’t going to stand for it.  Not my fault she was too lazy to VPN.  She probably even learned something from the experience.”
  • Jake doesn’t say anything.  He feels a little sick to his stomach.
  • David laughs, too high, too late.  “I’m kidding, man.  Kidding. I wouldn’t actually do that. Swatting, on the other hand…” There’s something calculating in the tone of his voice. “Better watch out, man.  If you have a dog, the cops shoot it on their way in the door.  Just saying.”
  • “I should probably get to bed,” Jake says.
  • “Jeez, I’m still joking!  Come on, can’t you take a stupid joke?”
  • “Apparently not.”  Jake quits the game before he gets a response.  

22.  Rachel comes out of the bathroom to find her phone has a text alert telling her that she has several new picture messages.  The most recent photo—the first one she sees—isn’t sent to her phone, but sent from it.  It just shows a tiny bit of the curve of her back and her head wrapped in a towel, but it was taken less than five minutes ago.

  • Hands shaking, face dead-white but fists clenched in rage, she scrolls up through the photos.  All are of her, most taken from oblique angles.  When she gets to the first one taken, of Jordan still asleep in bed some time last night, she has to run back into the bathroom to puke her guts out into the toilet.
  • “How do you like me now?” says the accompanying text message.
  • “I will tear your fucking head off with my claws, and I will enjoy it,” she sends back to David.

23.  For his fourteenth birthday, Rachel gets Tobias a tablet which has been specially adapted to be easier for people with arthritis to use; after some experimentation, she and Cassie have figured out it’s not that hard to use with a beak and talons.  He downloads Rick Riordan and Scott Westerfeld novels to read when he gets bored during the day.  At night, he’ll often put on Ellie Goulding’s music, turned down so low that it would be undetectable to human ears, and he’ll fall asleep to the soft flow of her voice.  

24.   “If you couldn’t even be bothered to take a picture of the thing, can you at least tell me what kind of toy space ship we’re talking about?” the guy in the shop says. “Rogue One?  Endurance?  Axiom?”  

  • “Sort of like the Prometheus,” Rachel says, “with those engines on the sides?”
  • “Yeah, but with a big thruster in the back like Serenity has,” Jake adds.  “And flat on top, like…”
  • “Like a helicarrier!” Cassie suggests.  
  • “Yep.”  The guy nods. “I know exactly which one you mean.”

25.  “Jeremiah,” Marco says. “What a beautiful name for a beautiful young man.”  

  • Jeremiah looks a little startled, but he leans against the locker door anyway to look at Marco through his eyelashes.  “Do you like organic food truck rallys?” he asks.
  • “I love organic food truck rallys!” Marco enthuses.
  • Later, he googles “food trux rallie + organic” to find out what he just got himself into.
  • “So much gluten free quinoa!” he texts Jake an hour into the date. “Such cultural appropriation!  SO MANY FAUX HIPPIES!  Send help.”
  • Jake, being the true bro that he is, fakes an emergency call and rescues Marco from the granola overdose.

26.  “I don’t think I like this section of Minecraft very much,” Marco says shakily. 

  • Jake rubs a tired hand over his face, looking around the brilliantly stacked Iskoort world for any sign of Howlers.  “Same.  I could kill for a cup of black coffee right now.  And I don’t even like the taste of coffee.”
  • Rachel turns around, slowly taking in his artistically-faded designer shorts and flannel-patterned t-shirt.  “You are such an incredible hipster I cannot believe we’re even related,” she says.  

27.  “So,” Jake asks as they head for the beach, “What do we know about giant squids so far?”

  • «Apparently,» Ax says, «giant squids are gay.  Not just a subset of the population as would normally occur, but every single member of the species.  Which raises several fascinating questions about their system of reproduction, and has important implications for our understanding of squid gender. However, the source of this information also informed me repeatedly that giant squids had copulated with my mother, which leads me to believe that this was partially a case of mistaken identity.»
  • There is a very long pause.  Tobias becomes the one to break it.  «Ax, buddy, where did you go to look for information about giant squids?»
  • «Initially, I posted an inquiry to an online platform known as Reddit which frequently encourages questions.  However, I was then approached by several individuals from a website called 4Chan…»
  • «Do me a favor and please don’t judge our entire species based on anything you saw there,» Tobias begs.
  • They walk for several more minutes in shocked silence, and then Marco says, “O-kay!  Who wants to know what I learned about giant squids off Wikipedia?”  
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aniquotes

“People don’t understand the word ruthless. They think it means ‘mean.’ It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it.”

- Marco, Book #30: The Reunion, pg. 71 (by K.A. Applegate)

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nyctosaurid

people say the animorphs covers are *creepy* but the actual in book transformations are all like ‘then her face cracked in two, her organs melted, her bones all snapped and reformed backwards, and her fingers and toes fused together. she couldnt cry because her tear ducts didnt fucking exist anymore. everyone looked at the ground so they wouldnt throw up looking at this’

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