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From the series “There is something terrible about reality....And I don't know what, nobody tells me”  

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Like There’s No Tomorrow” is a new book on young Lithuanian photography. Works from 12 emerging artists are presented in an innovative form that invites a dialogue between different photographers’ works, acquainting the viewer with the new tradition in photography and its contemporary post-Internet expression. The works in the publication reveal the shifting aesthetic of young generation photographers, new overtones and the medium’s relationship with objects, all of which are put into a context by four essays by international critics of photography. “Like There’s No Tomorrow” presents photography that so far has been rarely seen in Lithuania and aims to facilitate artistic and critical dialogue around the new ideas this photography carries.

Photographers: Jūratė Gačionytė, Paul Herbst, Jonas Lozoraitis, Agota Lukytė, Ekvilina Milaševičiūtė, Ulijona Odišarija, Paul Paper, Nerijus Rimkus, Rasa Staniūnaitė, Ugnė Straigytė, Vulovak, Kimm Whiskie.

Available at Motto

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I am very glad that one of the photographs from the series Now's the only time I know, 2012-2013 will participate in this exhibition, on the 2nd of July in NYC.

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BLOG RE-BLOG

Curated by Max Marshall and Paul Paper Opening: Friday, August 2nd 8:00 PM - 11:00 PM SIGNAL 260 Johnson Avenue Brooklyn, New York 11206

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A House That I Will Never Live In is a small self published book in which I explore the universe of a russian film director A.Tarkovsky (1932-1986).

How the memories inscribe itself into images? What is the importance of remembering something, thinking about one's past? How the images can be reminders of the events that are now passed? Is it possible to reconstruct the space of memory? The notion of nostalgia. The immortality of image. These were the main topics I have developed as a form of an essay. Appropriating excerpts from diaries, dialogs from movies and my own personal memories I have created a homogenous text. Images printed separately were added as a page markers. Freely falling out of the book as the instant images appearing in the memory.

An edition of 4 in french and 2 in english, published at ENSAPC in 2012 as a final Master thesis work.

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