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This isn't a funny tweet it's a threat
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Pompeii
Marta Cors | instagram | flickr | prints + prints
Source: flickr.com
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At some point the labyrinth becomes home.
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Some inhabitants of the Unicorn Tapestries other than the unicorn
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My favorite Giuseppe Festino covers from near the end of his run with the Italian sci-fi magazine Robot. These are from late 1978 and 1979. Bold colors, bold compositions.
I featured Festino's work in my free sci-fi art newsletter a few issues back, so check it out for more info. The final one here, with the decaying robot, was for the last issue of the magazine, before it was rebooted in the 2000s.
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Magic lantern slides (ca.1700 - ca.1830)
Source: rijksmuseum.nl
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HANNIBAL (2013-2015) - 2.10 • “Naka-Choko”
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ALICIA WITT as
Alia Atreides in Dune (1984) Ruth Harker in Longlegs (2024)
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it’s a great time to be a hater, many things are bad and lots of stuff sucks. it’s also a terrible time to be a hater, because many people will insist that you have to like the bad thing because a company spent millions of dollars making it and it’s just not very nice to say it’s bad
hating is ultimately a philosophy of optimism. the knowledge that things could be better, and the desire to see them improve, differentiates it from the pessimism of idle consumption.
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Midnight Mass studies
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BRIDE OF FRANKENSTEIN (1935) dir. James Whale
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It was dreamlike. Nightmarish? Not always. Sometimes it was beautiful.
Annihilation (2018) dir. Alex Garland
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Jennifer Tilly and Chucky on the set of Seed of Chucky (2004)
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The Big Sleep (1946) dir. Howard Hawks