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Aeshna Lacrymosa

@aeshnalacrymosa / aeshnalacrymosa.tumblr.com

“These visions which I saw were not in sleep nor in dreams, nor in my imagination nor by bodily eyes or outward ears nor in a hidden place; but in watching, aware with the pure eyes of the mind and inner ear of the heart.” — Hildegard of Bingen
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Encantober 3 - Healing

Context: Post the events of the movie, Abuela & Mirabel light a new candle to honour the original candle, Pedro’s memory, and make the start of a new chapter for the Madrigals ❤️‍🩹

Little bit late but it was a very time consuming piece 🙈 that’s all for my Encantober this year, but I can’t wait to participate again next year!!

Time: 10hrs 39mins

Layers: 50

Tools used: iPad Air 2024 & Apple Pencil Pro

App used: Procreate

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Even though the day is meant to celebrate the birth of the Madrigal Triplets, it's hard enough that it fell on the day they lost they're Papa Pedro who long been gone sacrificing himself to save those he valued most to his own life... and by that a quick sketch of Alma and her children lighting a candle on the last place where Pedro was alive as a way honor his faith & love to his Familia... Hope you will like it!

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Anonymous asked:

Encanto characters name meanings?

Mirabel: "Wondrous."

Alma: "Soul."

Bruno: "Brown."

Julieta: "Youthful."

Agustín: "Exalted."

Pepa: Derived from Josefa, which means "He [God] will add."

Félix: "Happy."

Isabela: "My God is an oath."

Luisa: "Famous in battle."

Dolores: "Sorrows."

Camilo: "Temple servant."

Antonio: "Praiseworthy" or "priceless."

Pedro: "Rock."

Mariano: "Of Mars [the Roman god of war]."

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Mariano: can also be a masculine variant of Maria (Mary) meaning “bitter”

Bruno: can also mean “armor, protection”

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A little late, but reading your take on Enchanted made me remember how much I love that movie. What are your thoughts on the rest of it? Like say, what do the Prince and Nancy represent? What about the villains? I’m curious how they fit into the allegory

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Prince Edward is just like Giselle in the sense that he does what people accuse Disney Princes of doing, and it's funny--but it's rewarded by the narrative, because it's actually a good thing.

People think a Disney Prince is just some dumb hunk with no personality, because he's "just there to be the obligatory love interest so the girl can't save herself." But that's a twisted, hollow way to look at it.

Prince Edward is

  • Active -- he actually does something, not just in his spare time but when faced with a problem or a dilemma. Doesn't matter if it's troll-hunting or braving a strange world to rescue his bride or turning on a dime to fight his own step-mother when she turns out to be evil. He actually acts.
  • Keeps His Commitments -- When Prince Eric commits to Ariel he commits; jumps in the water to fight a sea-goddess single-handedly. When Prince Charming says he'll give his heart to Snow White but then she disappears, he won't rest till he's found her. When Prince Edward's fiancée disappears, he won't stop searching for her, either.
  • Genuinely Cares About the Princess -- People act like Princes in Disney movies are just obligatory--they don't actually care about the girl, there's no real tension or getting to know each other or whatever. That's such bull, obviously. In fairy tales, you cram a lot of nuance into a little scene. The Prince meets Snow White singing at a well and promises his heart to her; but it's after he hears her singing about her heart's fondest desires, after he observes that she's surrounded by doves that aren't afraid of her, after he notices she's just a scullery maid; and he still chooses her. Disney appeased everybody by adding in more rom-com moments with later Princes, like Aladdin and the Beast, but truthfully, Princes do what Princesses do; they know what virtues they're looking for in a good soulmate, so they don't need much to recognize it when it crosses their paths. Then they commit. Edward is willing to go on a date with Giselle. When she grows, he's confused, but he'll go with her. She doesn't sing with him anymore but that doesn't mean he ditches her. When she's cursed and be can't wake her he's 100% onboard with Robert doing it--because it doesn't have to be him, he just cares about her.
  • Has Just As Much Faith As the Princess -- One of the things Princes and Princesses use as the litmus test of whether or not they're soulmates in Disney movies is if they're both believers in the same Idea. Ariel and Eric are the perfect example. They both believe in something that everyone around them thinks is totally crazy. Eric believes in the fated, Right Girl. Ariel believes the Surface World can be worth loving. Those two things get united when they meet each other. Prince Edward longs to find the woman who's his other half, a companion who fits into his heart and makes his life more than just one quest after the other. (And he's so sweet about it.) He's very romantic. Giselle's been dreaming of her true companion, too. They have that in common, that faith that somebody right for them is out there. It just...so happens that that person isn't each other. But they're not wrong that someone is out there, which is why he is rewarded by winding up with Nancy.

Anyway. If Giselle is the Disney movie, so is Prince Edward.

And yeah, he's not quick on the uptake, he's super confident that everything he's doing is right, and he's definitely convinced that Nathaniel actually likes him. But that is okay. Because Edward is uncomplicated. He knows that what he's setting out to do is Right, so what bothers him is never "people here are mean" or "I'm not the hero in this world." Did you notice that? He's never bothered when he finds out he's not the hero. He's only bothered when the idea that Good won't win is threatened.

He's the first one to turn and look at Robert and go "unless...!" excitedly when he realizes his own kiss isn't working. No trace of bitterness. No suspicion. Just eager to solve the problem.

That's why he's great. His confidence came from being the champion of Goodness. Doing the right thing. He doesn't care if he's not the one who wins. He just cares that it's someone Good who's winning.

Then you have Nancy, who is the first of the "normal" people from our world to really give in to the idea of "True Love's Kiss" being a viable solution, right on the spot. Meaning there was space in her brain to believe in it.

I guess if I had to try to distill it, I'd say Nancy is just the reverse-Giselle. In the allegory (it's not all one-to-one) I would say...if Giselle (and to a lesser extent, Edward) is the Disney movie, and Robert is the skeptic, Nancy is us. She's not quite Giselle, not quite Robert...she's someone who wants to believe that the Disney Philosophy is true, but the problem is, nobody in our world believes it or acts like it.

She's looking for a fairy tale but she's stuck in our world. The moments where she's happy with Robert are moments when he's doing something an open-hearted, genuine, selfless and chivalrous Disney Prince would do. The kind of guy who knows who he is and knows what's Good and values Love, so he isn't ashamed or insecure to come right out and declare it.

Gentleness is power, under control. A man in love should have no fear of vulnerability, which again, takes faith—because love isn't about you. It's selfless. Why worry about how telling a girl you love her will make you look, will make you feel? So what if she rejects you; you thought she was worth loving, you gave her that enormous compliment--so what if she doesn't return it? You know who you are. You didn't need her validation--that was never the point of the love-declaration--it was for her. You kindly gave her the world's best compliment, good job, now on to other worthy things. It would've been great if she wanted the same outcome of that love as you did, but she didn't, and that's great too, because it was never that much about you. So you don't have to be hurt, angry, embarrassed, jealous, or any of the anti-love things we associate with bogus unrequited "love."

But in our world, men don't act like that anymore. Because it's all about you. Can't tell the girl how you feel because she might hurt you. How would you be hurt? By finding out she doesn't feel the way you would prefer her to feel about you, by mocking what you've deemed precious, etc. It's all about you, you, you, fear fear fear, etc.

Still, you can tell Nancy thinks she got as close as she could to the fairy-tale guy with Robert because in her first scene, when she finds Robert and Giselle together, she goes on that rant about how she thought he was "sensitive" and "protecting Morgan." Those are the traits she's attracted to; the idea that he wasn't protecting himself, he was protecting his daughter--the idea that he was careful with emotions for other people's sake, not his own--that he cared about emotions at all.

But that's not what it was, it was self-protection, over-planning. Still, the second he's willing to send her flowers or make any kind of heart-on-his sleeve, straightforward gesture of affection, she is SO ready to believe in him again.

She's the grown up who wants to find the Disney fairy tale in "real life" and she's doing the best she can with what she can find. Kinda like a lot of us who grew up on Disney and didn't want to accept the derisive cynical mocking of Disney as we got older, but what could we do?

But good news! It's real! The Good, the Beautiful, the True, exists, and it comes for her.

Then you've got Narissa, the villainess.

She's interesting because she's totally the opposite of everything the movie says is Good. Giselle and Edward wear their hearts on their sleeves—Narissa manipulates people's fondest desires for her own gain. Robert needs to learn to have faith—Narissa believes everybody is out to take what's hers.

Edward gives the gift of love freely, first to Giselle, then, unshaken when she doesn't give him the same, to Nancy—Narissa takes the adoration of people like Nathaniel and treats them like garbage in return.

I also think Pip is important, and it's important that Narissa is defeated by him.

She's brought down by the tiny chipmunk who's been treated with true kindness and friendship by the Princess. The chipmunk who can talk and understand what's going on and be useful, even in a world where people like Robert think there's no such thing. Pip is the unlikely "something wonderful will happen" in our world that Robert didn't believe in. He's the little, fairy tale element that nobody could plan for or calculate or control, coming in to save the day.

How very Disney of him. Ya'll get off of Wish. Disney's tribute to 100 years of fairy tale animation? It has nothing on Enchanted.

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Ariel did give away her life for a man.

Deal with it.

She believed that the world above might not be bad but she didn’t have something to personally sacrifice for until she met a man who was not only “not bad,” but “good.” The kind of guy who also has faith when nobody else does. The kind of guy who saves dogs from burning boats. The kind of guy who is compassionate to people who disagree with him and try to tell him what to do.

When she met a guy like that, a guy that could not only understand her, but a guy that she could give the gift of understanding to—

She absolutely gave up her life for him. Absolutely.

And BRAVO to her.

That’s not called “glorifying a man.” It’s called, “selflessness.” It’s called, “rightly valuing what’s good.” It’s called, “faith, even when nobody else has the guts to call what’s ‘good’ ‘good.’” It’s called love, and it’s way way better than “independence.”

The Live Action Little Mermaid can’t save you from the truth of who Ariel was. It can’t change the fact that love is better than selfishness, no matter how hard it tries.

Deal with that.

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