Oh this hits a spot. This is a 2019 single from The Velveteins, from Edmonton, Alberta. The band played at this year's South by Southwest showcase festival.
It really fits into that summer psychedelic dream rock vibe that quite a lot of Canadian bands have at the moment, frankly I love it. It's great.
Re: tags!! <3 I thought I’d dig up some more of my favourite stuff from Alberta in recent years!
Here’s Travis Bretzer from Edmonton, making kinda slower, hazier indie-tinged vapourware I think it’s called? (I always get that wrong)
And here is one of my favourite garage/rock bands right now, and they’re a two-piece from Calgary called Scratch Buffalo. They’d once mailed us their single on radio, the brightest-ever pink vinyl with a strawberry on the cover, who looked super excited to be electrocuted. And then, us not really being vinyl experts, we spun their 33 RPM single at 45 RPM and the band sounded like they were on helium. Here’s the thing—the music was already so energetic that we didn’t notice anything until halfway through the song, when someone more familiar with vinyls turned down the disc speed mid-song. Unforgettable, and an unforgettable band!
Oh, I found a picture of the disc:
The cover and the ‘Nutritional Facts’ label on the band are just incredible
Excuse me if I want to gatekeep Eminem in favour of Rage Against The Machine and Kate Bush getting inducted into the rock and roll hall of fame.
What amount of just straight-up, no-filter confidence do you have to have that you meet a hero of yours for the first time when you're in the studio recording your album, they say oh huh this bass bit could be better, and you just go, "well you've got a bass next door, why don't you came and play on it" and the bassist in question is Paul McCartney.
(It was Liam Gallagher)
Oh my gosh. This is done retro-MTV style, and it's come out looking like folks from the 60s time travelled to the 80s, it's cool. The sound is classic power pop.
The music vid's on their Bandcamp page, and it's probably on Youtube too, I haven't looked yet.
Uni Boys, on Curation Records
(a label I have often confused with Alan McGee's Creation and panicked)
Oh.
I was just reminded of why I'm a Buzzard Buzzard Buzzard fan. They've got a new single out, and checks out:
- Break into your nearest hardware store? Check
- Screw the system? Check
- Commit crimes while listening to this song? !!
- Rebel rock and roll? Check
- That breakdown??
Every day i think about those black musicians whose songs were made into covers by white people and now everyone thinks that these are the originals. Youtube comment sections are full of people like "is this what it feels like to find out you're adopted?" instead of celebrating and promoting the original creators of the songs.
Gloria Jones - Tainted Love
Little Eva - Loco-Motion
Martha & The Vandellas - Dancing in the Streets
James Ray - I've Got My Mind Set On You
Big Mama Thornton - Hound Dog
Robert Knight - Everlasting Love
Erma Franklin - Piece of My Heart
The Family - Nothing Compares 2 U (written by Prince)
The Supremes - You Can't Hurry Love
The Supremes - Keep Me Hanging On
The Top Notes - Twist and Shout
Lord Creator - Kingston Town
The Paragons - Tide is High
Commodores - Easy
And here's an entire playlist with songs by black artists covered by The Rolling Stones:
I'm losing my mind, we need to bring back mad rock and roll
This is my audiovisual vibe
I almost feel sorry for heterosexual homophobic males who think rock is “for them”. I mean peak 70s rock and roll filled with himbos, gender fluids and bissexuals??? All the huge male rock bands wearing high heels and make up? Motley crüe, the highest example of fuckboys trashing hotel rooms, but dressed like this on the meantime
Twisted sister just being twisted sister and saying that if some guy thought that wearing pink jackets with spikes, drag queen make up and heels made them “less of a man” they could just fuck off because rock isnt about that gender centered shit.
Lou fucking Reed went to conversion therapy for being gay and later on he went and wrote a bunch of rock songs about the LGBT community and traumas caused by homophobia. One of The Velvet Underground’s albums was listed by Rolling Stone as the 13th most influential rock album from all time, and it was all about an ex boyfriend named Nico.
ALSO from the first wave of rock and roll in the 60s, The Kinks had Sir Ray Davies, an openly queer vocalist in the fucking 60s who also wrote a popular song about a trans woman (Lola) and had some huge hits people still listen to 50+ yers later. The Who made huge success also in the 60s and Pete Townshend (vocals) came out as bisexual and non binary during an interview in 89!!
Prince on live tv wearing tight pants with huge holes on his buttcheeks and singing about kissing girls and boys.
Even some more “conservative” artists in the 60s like George Harrison and Bob Dylan were writing love songs to each other?? One of Bob’s writings to George actually says “All I have is yours; I’ll let you have me anytime”. They were described as soulmates by George’s wife.
To finish my ted talk I’ll just leave Mick Jagger being a himbo with glittery eyeshadow, tight corserts with titties out, low waist tight pants with a PINK BRA ON? Bowie wearing a dress in a 1970s album cover??
So yes I will take classic rock back for the gays™️ and gatekeep it from straig*t man.
Not to mention Queen, one of the biggest queer (and POC!)-fronted band’s in the rock and roll world! Often when Queen fans like to point out Freddie’s writing’s from the queer point of view, straight fans will come to the forth and be like “no fuck you, Queen is for everybody and in fact, Freddie would have wanted us all of us to enjoy his lyrics and so YOU are gatekeeping us poor straights from the Queen community” (the Queen fandom can be toxic in general sometimes) BUT no, that’s not the point of people interpreting things from a queer point of view?
Rock and roll has historically been a haven for the outcasts, the misfits of society. How on earth would queer people not have been a massive part of that?
People like to selectively forget the parts of history they don’t like, but we can’t let it be lost because there’s power in knowledge, and in knowing that you’re not alone. I didn’t know Pete Townshend was enby!
I was listening to this podcast called Rockonteurs, basically an interview series with rock musicians and rockstars (hosted by them too: Gary Kemp from Spandau Ballet and Guy Pratt, later bassist in Pink Floyd), and they were talking to Pink Floyd’s Nick Mason about touring, and Nick goes, “now, given the age of rock and roll[ers], touring is like the new old people’s home, isn’t it” and I haven’t been able to stop thinking about that
Happy birthday to the Godmother of Rock and Roll, Sister Rosetta Tharpe! (b. March 20, 1915)
“Mostly back in those days, [women] just sang, and she, you know, she brought a whole new thing to women that said, Hey, I can do that, too. That’s one thing I remember—that stood out to me. That she was actually a musician as well.” - Carla Thomas on Rosetta (x)
Considering the momentous and long overdue recognition that Sister Rosetta Tharpe deserves (her anticipated induction into the Rock and Roll Hall of Fame in April, 2018), let’s take advantage of what the media has to offer on her - videos/footage, music, books, etc. and spread it today in her honor. Even if you think you shouldn’t care about this, if you think music has nothing to do with your blog or you don’t care about history - let me tell you something: you should. Now, more than ever, you should. When there are so many resources to help you educate yourself and others in topics like why Sister Rosetta Tharpe was and still is so important, please take advantage of them. If I were you, I would try to think of it this way: she deserves your voice behind her, too. And if you can, in a respectful, if not objective (not objectifying!!), way. So honor her and honor your abilities to do so!
Now, some quick facts about Sister Rosetta Tharpe and her music:
- It’s been speculated that “Strange Things Happening Every Day” was the first rock and roll record, recorded in late 1944/released in 1945, as it was the first gospel record to cross over and chart on the Billboard “race records” (R&B) chart
- She was bisexual
- Her version of “Down by the Riverside” was added to the National Recording Registry of the U.S. Library of Congress in 2004, justifying the selection due to her “spirited guitar playing and unique vocal style, demonstrating clearly her influence on early rhythm-and-blues performers”
- She inspired the likes of Little Richard, Aretha Franklin, Jerry Lee Lewis, Chuck Berry, Tina Turner, Karen Carpenter, Mary Chapin Carpenter, and Johnny Cash cited her as one of his favorite singers in his induction speech into the Rock and Roll Hall of Fame
- And as a related fact to the previous one, in reality, every artist that took on rock and roll after her was influenced by her - sure, we can name names, but the fact of the matter is that she was the ROOT. Everyone else became the branches, you know?
[ID: four GIFs and two photos of Sister Rosetta Tharpe playing guitar and performing. They say “Happy birthday Sister Rosetta Tharpe / March 20, 1915 - October 9, 1973″. End ID.]
little late with this one but happy birthday Sister Rosetta Tharpe!!!
Underrepresented opinion of the day: if you have more than five members, you’re not a band, you’re a group.
... we’ve done it bois, the Foo Fighters are no longer the world’s biggest rock band
They're now the world’s biggest rock group
I read the Variety editorial A Warning To The Music Business written in the 1950’s.
Abel Green seems a right uptight cunt. Even his obituary in the NYT from 1972 seems subdued.
Realised this bit should probably have been the actual text and not just tags.
What a banger of a song. “Money Is” was written and performed by the legend Quincy Jones and the great late Little Richard, to whom we paid tribute on our show tonight. The song, written for a film, is such an upbeat, danceable rock and roll tune that I was dancing on the radio, though luckily none of our listeners could hear that. One of the few pre-punk artists who would make an uncontested cut on punk radio, the legendary Little Richard, without whom none of us remotely connected to rock music would exist.
If you missed it, catch up on the archives as cfrc.ca, and tune into What The Punk?! on Monday nights for more great music!