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#new romantic – @aeolianblues on Tumblr
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aeolianblues

@aeolianblues / aeolianblues.tumblr.com

Amateur writer and cartoonist, trash poetry specialist, musician, punk radio host, computer science student and enthusiast. Muser, hi hello! Museblogging at @sunburnacoustic. Disastrously cooking at @vengefulcooking
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This reminds me a lot of Visage's Fade To Grey! This was an electropop, synthpop group from Montreal called Nudimension.

They were largely a studio group, primarily made up of a singer-drummer Louie Louie and a non-musician and manager Marc Fontaine. They were occasionally joined, as a 'co-vocalist', by model and TV presenter Anne Marie Cyr, who appears in the music video here and talks (like the French spoken-word verses in Fade To Grey) while Louis sings, because she wasn't a singer and was apparently 'unable to sing'.

Louis previously drummed in Montreal's first punk band, the 222s, who had split up in 1981, and as one of the band's principal songwriters along with guitarist Pierre Major, before singer Chris Barry joined the band, Louis had been keen on writing pop songs even with the 222s, and he was keen on exploring the new synth pop direction, so he formed Nudimension (literally a new dimension to the music). The band mostly wrote in French, and became popular in Francophone Quebec and France, and coming out around the time of the rise of synthpop and the music video, as a band with a visual presence made them stand out quite a bit. Recording a few English language songs and versions of French songs also got them some success across North America.

The spark had gone out by 1989, members went on to focus on other projects. Louis rejoined the 222s on their reunion tour with Asexuals from 2009 to 2011, when the band played Osheaga, one of Canada's premiere indie music festivals.

This song was a bit of a hit, Amour Programmé. Very futuristic and warning of a loss of connection— in a very 80s way. Lyrics by a youtube commenter under the cut

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aeolianblues

Okay this is so cool! A friend yesterday showed me this new wave band from the late 70s and early 80s in Montreal, they’re called 39 Steps. They’d sent us this album, Slip Into The Crowd in the mid-80s.

The album cover, different from this one on Bandcamp, featured all five members, prettied up, hair done, a bit of eyeliner, sprawled out over the floor in various poses, immediately striking me as very Duran Duran-like. The decade was immediately placeable, only they were from Montreal, Canada and not from London or Birmingham. I’ll get a picture of that cover the next time I’m at the radio station.

Their song Slip Into The Crowd was an older song of theirs from the 70s, by singer Chris Barry’s old band called The 222s. 39 Steps had re-recorded Slip Into The Crowd, and the song was used in the Woody Allen film Hannah And Her Sisters, where the band themselves appear playing the song in CBGB in New York, very of its period!

I don't know what happened of the band, or rather when they split up and why, but it does seem like the band didn't quite expect the record to be remembered as it was, but even if for self-satisfaction and completion, Chris Barry had made his mind up to remaster the hastily recorded original, which he put up on Bandcamp in 2013.

The more I read about this band—and there isn't that much, the more interesting their story gets to me: after the 222s split up, Chris went to England and was in bands with former Sex Pistols, Generation X, Police members and others. Though things didn't quite work out with any of these bands, he was at the heart of this very UK late-70s, early 80s post punk music scene, in particular the one in London. The same scene that would throw up one half of the Blitz kids, the New Romantic scene, which makes the Duran Duran resemblance make more sense to me.

Chris Barry did return to Montreal, revive the 222s and they eventually became 39 Steps, but I wish I knew more about them!

In the absence of much besides a Discogs page and a page on a mirror site of Wikipedia (not actual Wikipedia), I guess there's only one thing to do, eh? I've got to ask around and track down Mr. Chris Barry and get him on the phone for an interview (if he still does those).

I FOUND HIM!!! Chris writes for Loose Lips in Montreal and I am going to reach out to him!

He's also got the 222s music up on Bandcamp!

The version used in the film takes from the single version, with a music video shot at the Montreal Spectrum in 1986.

I have to say, the song Faithless is my absolute song of the day. What a hypnotic melody. Detached, disaffected lyrics. It's like the underbelly of the sound of the 80s. I'm quite mesmerised.

The video too is so reminiscent of a certain time and style of the 80s. The hint at a mannequin at the start, all arty and calling back to say, Ultravox or even Visage's work. But on the other hand, grittier, darker. Interesting.

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aeolianblues

Okay this is so cool! A friend yesterday showed me this new wave band from the late 70s and early 80s in Montreal, they’re called 39 Steps. They’d sent us this album, Slip Into The Crowd in the mid-80s.

The album cover, different from this one on Bandcamp, featured all five members, prettied up, hair done, a bit of eyeliner, sprawled out over the floor in various poses, immediately striking me as very Duran Duran-like. The decade was immediately placeable, only they were from Montreal, Canada and not from London or Birmingham. I’ll get a picture of that cover the next time I’m at the radio station.

Their song Slip Into The Crowd was an older song of theirs from the 70s, by singer Chris Barry’s old band called The 222s. 39 Steps had re-recorded Slip Into The Crowd, and the song was used in the Woody Allen film Hannah And Her Sisters, where the band themselves appear playing the song in CBGB in New York, very of its period!

I don't know what happened of the band, or rather when they split up and why, but it does seem like the band didn't quite expect the record to be remembered as it was, but even if for self-satisfaction and completion, Chris Barry had made his mind up to remaster the hastily recorded original, which he put up on Bandcamp in 2013.

The more I read about this band—and there isn't that much, the more interesting their story gets to me: after the 222s split up, Chris went to England and was in bands with former Sex Pistols, Generation X, Police members and others. Though things didn't quite work out with any of these bands, he was at the heart of this very UK late-70s, early 80s post punk music scene, in particular the one in London. The same scene that would throw up one half of the Blitz kids, the New Romantic scene, which makes the Duran Duran resemblance make more sense to me.

Chris Barry did return to Montreal, revive the 222s and they eventually became 39 Steps, but I wish I knew more about them!

In the absence of much besides a Discogs page and a page on a mirror site of Wikipedia (not actual Wikipedia), I guess there's only one thing to do, eh? I've got to ask around and track down Mr. Chris Barry and get him on the phone for an interview (if he still does those).

I FOUND HIM!!! Chris writes for Loose Lips in Montreal and I am going to reach out to him!

He's also got the 222s music up on Bandcamp!

The version used in the film takes from the single version, with a music video shot at the Montreal Spectrum in 1986.

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reblogged
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aeolianblues

Okay this is so cool! A friend yesterday showed me this new wave band from the late 70s and early 80s in Montreal, they’re called 39 Steps. They’d sent us this album, Slip Into The Crowd in the mid-80s.

The album cover, different from this one on Bandcamp, featured all five members, prettied up, hair done, a bit of eyeliner, sprawled out over the floor in various poses, immediately striking me as very Duran Duran-like. The decade was immediately placeable, only they were from Montreal, Canada and not from London or Birmingham. I’ll get a picture of that cover the next time I’m at the radio station.

Their song Slip Into The Crowd was an older song of theirs from the 70s, by singer Chris Barry’s old band called The 222s. 39 Steps had re-recorded Slip Into The Crowd, and the song was used in the Woody Allen film Hannah And Her Sisters, where the band themselves appear playing the song in CBGB in New York, very of its period!

I don't know what happened of the band, or rather when they split up and why, but it does seem like the band didn't quite expect the record to be remembered as it was, but even if for self-satisfaction and completion, Chris Barry had made his mind up to remaster the hastily recorded original, which he put up on Bandcamp in 2013.

The more I read about this band—and there isn't that much, the more interesting their story gets to me: after the 222s split up, Chris went to England and was in bands with former Sex Pistols, Generation X, Police members and others. Though things didn't quite work out with any of these bands, he was at the heart of this very UK late-70s, early 80s post punk music scene, in particular the one in London. The same scene that would throw up one half of the Blitz kids, the New Romantic scene, which makes the Duran Duran resemblance make more sense to me.

Chris Barry did return to Montreal, revive the 222s and they eventually became 39 Steps, but I wish I knew more about them!

In the absence of much besides a Discogs page and a page on a mirror site of Wikipedia (not actual Wikipedia), I guess there's only one thing to do, eh? I've got to ask around and track down Mr. Chris Barry and get him on the phone for an interview (if he still does those).

I FOUND HIM!!! Chris writes for Loose Lips in Montreal and I am going to reach out to him!

Avatar

Okay this is so cool! A friend yesterday showed me this new wave band from the late 70s and early 80s in Montreal, they’re called 39 Steps. They’d sent us this album, Slip Into The Crowd in the mid-80s.

The album cover, different from this one on Bandcamp, featured all five members, prettied up, hair done, a bit of eyeliner, sprawled out over the floor in various poses, immediately striking me as very Duran Duran-like. The decade was immediately placeable, only they were from Montreal, Canada and not from London or Birmingham. I’ll get a picture of that cover the next time I’m at the radio station.

Their song Slip Into The Crowd was an older song of theirs from the 70s, by singer Chris Barry’s old band called The 222s. 39 Steps had re-recorded Slip Into The Crowd, and the song was used in the Woody Allen film Hannah And Her Sisters, where the band themselves appear playing the song in CBGB in New York, very of its period!

I don't know what happened of the band, or rather when they split up and why, but it does seem like the band didn't quite expect the record to be remembered as it was, but even if for self-satisfaction and completion, Chris Barry had made his mind up to remaster the hastily recorded original, which he put up on Bandcamp in 2013.

The more I read about this band—and there isn't that much, the more interesting their story gets to me: after the 222s split up, Chris went to England and was in bands with former Sex Pistols, Generation X, Police members and others. Though things didn't quite work out with any of these bands, he was at the heart of this very UK late-70s, early 80s post punk music scene, in particular the one in London. The same scene that would throw up one half of the Blitz kids, the New Romantic scene, which makes the Duran Duran resemblance make more sense to me.

Chris Barry did return to Montreal, revive the 222s and they eventually became 39 Steps, but I wish I knew more about them!

In the absence of much besides a Discogs page and a page on a mirror site of Wikipedia (not actual Wikipedia), I guess there's only one thing to do, eh? I've got to ask around and track down Mr. Chris Barry and get him on the phone for an interview (if he still does those).

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I enjoyed this episode so much! John Savage dives into the punk movement of the 60s, 70s and later post punk and New Romantic movements of the 80s, and how they have roots in the queer scenes of the time. From Andy Warhol's Factory to David Bowie's declaration of his sexuality only a few years after homosexuality was partially decriminalised in the UK, to New York Dolls, Max's Kansas, Wayne later Jayne County, Vivian Westwood and Malcolm McLaren's SEX clothing shop and the gay clubs, which ended up becoming stops frequented by queer folks in London. I also really appreciate the way everyone interviewed about it talks about how there was this aspect of the weirdos and the freaks sticking together: everyone who didn't fit in had a place in punk initially, because that's where punk's roots lay.

It's available for the next 4 days, if not message me for it (if I still have it)

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tennantbutt

my favourite story ever is at bob geldof’s wedding in 1986 tony hadley got so pissed that he fell onto a table that had bob geldof’s family members on it and simon le bon had to pick him up and tell him to get his shit together

my second favourite story ever is when tony hadley got pissed in italy and jumped on the hood of a moving car and dented it (it was a very expensive car) and the guy stopped and came out and pulled a gun on him

my third favourite story ever was when tony hadley got pissed in a hotel room with the rest of spandau ballet and he tried jumping from balcony to balcony like some kind of fucked up spiderman and they had to stop him

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I was listening to this podcast called Rockonteurs, basically an interview series with rock musicians and rockstars (hosted by them too: Gary Kemp from Spandau Ballet and Guy Pratt, later bassist in Pink Floyd), and they were talking to Pink Floyd’s Nick Mason about touring, and Nick goes, “now, given the age of rock and roll[ers], touring is like the new old people’s home, isn’t it” and I haven’t been able to stop thinking about that

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