please bring back that little moment after die unstillbare gier where alfred says “they have feelings” okay it’s so important why was this cut of ALL THINGS

*whispers* the finnish production did

the most important part of that line is the end of it. “they have feelings LIKE US.” it’s not just important for alfred’s character arc but it’s an important part of one of the overarching themes of the entire piece. the vampires are a reflection of the ‘worst’ parts of us. but what makes us at our worst so awful is not that we have no feelings; it’s that the feelings we have and express are impacting those around us negatively, because they’re selfish or otherwise destructive emotions. it’s easy for us to say that someone who does something bad is a monster and without feelings, because what we don’t want to face is that the potential for that behavior is in all of us.

so in tanz the vampires are presented as monstrous and without feelings at first, but as alfred learns and grows into someone who can think independently of the professor’s prejudiced framework, he—along with the audience, because alfred is our eyes and ears, our way into this world—begins to realize that the vampires are not a hell of a lot different from the humans. and that is about 500% more terrifying than an unfeeling nonhuman monster blob, because it means that anyone could become that, as in fact alfred does and that is the point of his arc within the musical, in my opinion.

and if you think about it, alfred’s vampire transformation happens BECAUSE of his feelings, not because he somehow got rid of them. if he had left sarah behind and saved himself, it would not have happened. but he loves her (or his idea of her, but this isn’t an alfred character analysis) and he still thinks he’s saving her, so it’s LOVE that actually pulls him into the darkness. love, an emotion we typically associate the most with the light and are constantly told will save you, in this context actually damns alfred.

SO LONG STORY SHORT (i’m so sorry this reply got away from me) YES THAT LINE IS TERRIBLY TERRIBLY IMPORTANT AND CUTTING IT IS NOT OKAY

Played by the VBW orchestra and arranged and conducted by Caspar Richter. 

this photo gives me life

German Musicals Masterpost - Part One

This master post is meant for all people who are interested in German musicals, but maybe don’t know so much about them or just don’t speak the language. The German musical landscape is very interesting and unique, in my opinion not as limited as West End or Broadway can be. It’s quite sad that because of the language barrier, many of these musicals are fairly unknown, even though they’re just as good or better than some of the things you see in America or the UK and that’s why I’m trying to give you a way to find out more about them and watch them. This is the first part with only three musicals so far, but I will make more masterposts if there’s interest! You have to register to watch the videos on the vk.com website, I’m sorry, but if you want, I can look for replacements on tudou. If you have any questions, requests or thoughts of any sort, please come to me, I will do my best to help!

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Highlights from Wien Musical Concert II

Includes some rehearsal footage I hadn’t seen before

Mark in that Der Tod OV costume. O_o I need it in my life. Why can’t they put him in that?! He doesn’t really rock the leather and black.

I'm kind of miffed that they changed so much for the 20th Anniversary just for the sake of changing things. I could understand reinstating elements from the 1992 production (such as Jagd or even the terrible Gar Nichts dance sequence), but introducing new costumes and swapping Schwarzer Prinz for "die komische Lied" makes so sense whatsoever.

Aside from that, I'm still hoping there'll be an official recording for this. I've had the other recording for nearly a year and haven't yet tired of it.