“Œdipus and the Sphinx” by Victor Adam.
Save it while you can.
@aardwolfpack / aardwolfpack.tumblr.com
“Œdipus and the Sphinx” by Victor Adam.
Save it while you can.
Polyphemus: Who the fuck are you?
Odysseus: Who the fuck are you?
Polyphemus: I asked you first.
Odysseus: I asked you second.
A Charon’s Obol is the coin placed in or on the mouth of the deceased person before burial. An obol was originally a small silver coin, valued at one-sixth of a drachma. Greek and Latin literary sources explain it as a payment for Charon, the ferryman who conveyed souls across the River Styx, which divided the world of the living from the world of the dead.
More precious gold or silver coins were seldom buried with the deceased so a type of “ghost money” was made instead by making an impression of a real coin into a thin gold foil, such as the current example. This thin gold piece was made by pressing gold foil over an actual coin bearing the image of Apollo wearing a laurel wreath, like this example. These thin gold foil coins, also known as danake or lamella, were too flimsy to use as currency. Real coins were also buried with the dead as well, though they were generally small denominations.
More about Charon’s Obols…
I queued dozens of coin posts because I felt very interested in the subject at the time. I thought I’d scan coins from my old collection, share photos from coin collecting sites, and actually have some interesting content on this blog. Then Donald Trump won, and I was suddenly drained of all enthusiasm.
That’s kind of funny, but you’re confusing Medusa with the Hydra.
I had a dream the other night about a mythical creature called the Ablocwegas. I saw it printed out, and wrote it down right after I woke up, so the spelling should be correct.
It was a massive stone wall with a pair of arms. The home of one of Greco-Roman gods was guarded by one or more of these beings. When anyone unworthy tried to approach it, the Ablocwegas would throw bricks at the intruder. I can’t remember if it pulled the bricks out of its own body or if there was another source of ammo.
It took me a while after I woke up to be sure I'd dreamed the Ablocwegas up. I felt like I'd been seeing and reading about it my whole life.
Joachim Wtewael: Mars and Venus Surprised by the Gods, c. 1606–10.
"Wtewael" is not a typo. I had to look it up to be sure.
Fritz Zuber-Buhler - La Reine Bacchanal
Persephone by ~AriBach
Shot on a cell phone rather than scanned. Looks infinitely better than the real thing.
Gaston Bussière (1862-1928), Les Néréides.
Louis-Jean-François Lagrenée: Pygmalion and Galatea, 1777.
I've stumbled upon another angry fish! Just look at Galatea's base.
In case you have no idea what the hell I'm talking about, read this.
"Cassandra" by Claudio Sacchi. Cassandra was, of course, the first human to be made resistant to the Black Oil through alien D.N.A. infusion.
"The Three Graces" by Peter Zokosky.
The Graces (Charites in Greek mythology, Gratiae in Roman) are one of the most popular subjects in Classically-inspired art. There are famous examples by Raphael da Urbino, Sandro Botticelli, and Peter Paul Rubens, plus one I particularly enjoy by Jean-Baptiste Regnault.
Laocoön and His Sons - Attributed to Agesander, Athenodoros and Polydorus of Rhodes, Ancient Greek
"Perseus Freeing Andromeda" by Piero di Cosimo. There's a lot going on in there.
"Jupiter and Io" by Antonio da Correggio. Io the Nymph was a mistress of Jupiter (Zeus). He hid her from Juno (Hera) by first obscuring her in clouds, then transforming her into a heiffer. The idea that he assumed the form of a cloud to seduce her is not part of the Greco-Roman tradition, and appears to have originated in the Renaissance. It does fit in with his adopting the form of a bright light to seduce Danaë, a swan to seduce Leda, and so forth.
Alternate title: "Cloudy with a Chance of Pregnancy"
"Pandora" by Chauncey Ives, one of the more underrated sculptors of the Neo-Classical Movement.
"Echo Flying from Narcissus" by Guy Head. Not pictured: Narcissus.