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#charlemagne palestine – @356mission on Tumblr
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356 S. Mission Rd.

@356mission / 356mission.tumblr.com

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Charlemagne Palestine Review on KCRW’s “Art Talk” by Hunter Drohojowska-Philp

Little can prepare you for the jazzily titled CCORNUUOORPHANOSSCCOPIAEE·AANORPHANSSHHORNOFFPLENTYYY, his current show at 356 S. Mission where a former warehouse is stuffed full of stuffed animals. They are arranged on wall panels to divide the huge gallery, lie along the edges of the floor and are suspended from rafters. Their little button eyes stare, their stitched mouths smile, their rounded, happy bodies invite cuddling. 

To read the full review and to listen to the podcast, click HERE

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Link: Charlemagne Palestine Featured in Blouin Artinfo

The artist explains that each of those genres create their own world, and have their own world – which is sort of unique. The artist converts the space into something between a sacred Luna Park or sacred toy temple.

To read the rest of the feature, click HERE

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Link: Charlemagne Palestine Featured in the Los Angeles Review of Books

“I create a unique environment and a unique atmosphere that then you can be transported to another place, differently than you would for jazz or classical music or rock’n’roll. 

To view the rest of feature, click HERE

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Link: Charlemagne Palestine in The Guardian

“I create a unique environment and a unique atmosphere that then you can be transported to another place, differently than you would for jazz or classical music or rock’n’roll,” Palestine explains. “Each of those genres create their own world, and have their own world. Mine that I’ve created – which is sort of unique – dates now a long time I’ve been doing it. And it certainly soothes me; I couldn’t imagine doing it without it. But I now have a big following, and it soothes them too. So it soothes us all.”

To read the full review by Geeta Dayal, click HERE

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Entrevista entre Charlemagne Palestine y Chloe Ginnegar

Entrevista entre Charlemagne Palestine y Chloe Ginnegar Enero de 2018 Realizada en ocasión de Charlemagne Palestine: CCORNUUOORPHANOSSCCOPIAEE AANORPHANSSHHORNOFFPLENTYYY en 356 S. Mission Road

Chloe Ginnegar: Tus exposiciones más recientes se han presentado en museos, pero me gustaría empezar con tu obra anterior y tu participación en la Idea Warehouse de Nueva York en los años 70, un espacio dirigido por artistas similar a 356.

Charlemagne Palestine: Era un espacio muy grande, pero en esa época podíamos usar la palabra, que en aquel entonces yo era –la palabra que odio—más mínimo.

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Interview with Charlemagne Palestine by Chloe Ginnegar on the occasion of Charlemagne Palestine: CCORNUUOORPHANOSSCCOPIAEE AANORPHANSSHHORNOFFPLENTYYY

Interview with Charlemagne Palestine by Chloe Ginnegar January 2018 Conducted on the Occasion of Charlemagne Palestine: CCORNUUOORPHANOSSCCOPIAEE AANORPHANSSHHORNOFFPLENTYYY at 356 S. Mission Road/Ooga Twooga

Chloe Ginnegar: Your more recent exhibitions have been held in museum spaces, but I’d like to start with your earlier work and participation at the Idea Warehouse, an artist run space in the seventies in New York City, which is somewhat similar to 356.

Charlemagne Palestine: It was a very big space but in those days we could say the word, that I was – the word that I hate – that I was more minimal then.

CG: The work then was not as maximal as it is here.

CP: It was in 1975. That was more than 40 years ago.  In those days I must say, even though I had my animals and things - I had a couple animals – everything was very sparse. Everything was in black and white more or less – also the equipment, the monitors were in black and white. It was a more “black and white” time. That’s why all my drawings of that time were in black---which I didn’t mind. It’s also to remember that using that word minimal, which we didn’t invent, was used for sculpture. Tony Smith, the father of Kiki Smith, he was one of the founders of a kind-of approach to form that eventually got called minimal. Then there was a composer, a writer for the Village Voice called Tom Johnson and he used that word for sound art and performance. So the word started to take off and forty years ago that was ok. The only thing that I have, the reason why I am so “anti”, is that we live in such an abundant world now. Internet and things, I just did an interview for Bourges in France right here in Los Angeles.

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Grin & Bear It!   Decorate your very own handmade bear workshop

Sunday, January 28, 2018 1 - 4 PM Bears will be provided and refreshments will be served

Open to all ages, but space is limited - please RSVP by January 24 

This workshop is now at capacity

To view images from the workshop, click HERE

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Charlemagne Palestine: CCORNUUOORPHANOSSCCOPIAEE AANORPHANSSHHORNOFFPLENTYYY January 25 - April 15, 2018 Opening Reception: January 25, 7 PM 356 S. Mission Road Los Angeles, CA 90033

This project is made possible with the help of a grant from Mike Kelley Foundation for the Arts

To read an interview with the artist, click HERE [en Español] 

To view images from the opening reception, click HERE

To read press about the exhibition, click HERE

To view images of the exhibition, click HERE

To view video of the exhibition, click HERE

To see events related to the exhibition, click HERE

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illlummminnnatttionnnsssss!!!!!!! by Simone Forti and Charlemagne Palestine

Friday, January 19th at 7PM (6:30PM doors)

Saturday, January 20th at 5PM (4:30PM doors)

at The Box - 805 Traction Ave, Los Angeles, CA 90013

Space is very limited so RSVP's will be required to attend. The RSVP list is at capacity. To be added to the wait list, please email [email protected] or call the gallery at (213) 625-1747

Co-presented by The Box and 356 Mission This project is made possible with the help of a grant from Mike Kelley Foundation for the Arts

To view images from the performances, click HERE

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