Aurora Borealis Artist: Frederic Edwin Church Date: 1865 0pheli0.tumblr.com/archive
Twilight In The Tropics (A Tropical Moonlight) Artist: Frederic Edwin Church Date: 1874 0pheli0.tumblr.com/archive
The Falls Of MineHaHa 🔱
Artist: Robert Scott Duncanson Date: 1862 Medium: Oil on canvas
Yosemite Falls 🔱
Artist: Albert Bierstadt Date: 1865-1870 Medium : Oil on canvas Dimensions: 91.4 × 66.4 cm
View In Yosemite Valley 🔱
Artist: Albert Bierstadt Medium: Oil on paper
Deer Watering 🔱
Artist: Thomas Worthington Whittredge (1820 - 1910) Date: c. 1875 Medium: Oil on Canvas Dimensions: 21 x 17 1/2 inches
'The Autumnal Woods (Under The Trees)' 🔱
Artist: Thomas Moran Date: 1865 Dimensions: 34.25 inch wide x 40.16 inch high
'Winterhorn, Switzerland' 🔱
Artist: John William Casilear (1811-1893) Date: 1883 Medium: Oil on canvas Dimensions: 10 x 16” Location: The Peabody Art Collection
'Multnomah Falls' 🔱
Artist: Albert Bierstadt
Medium: oil on canvas
'Yosemite Valley, California' 🔱
Artist: Albert Bierstadt Date: 1863 Medium: oil on paper
'Falls of Yosemite' 🔱
Artist: Albert Bierstadt Date: circa 1880s Medium oil: on paper mounted on canvas Dimensions: 79.06 × 56.2 cm (31.1 × 22.1 in)
'Niagara Falls' 🔱 Artist: Thomas Hill Date: c. 1860 Medium: oil on canvas
'Niagara Falls' 🔱
Artist: Louisa Davis Minot Date: 1818 Location: New York Historical Society, New York
'Niagara Falls, from the American Side' 🔱
Artist: Frederic Edwin Church
Date: 1867 Medium : oil in canvas Dimensions Height: 2,575 mm Width: 2,273 mm
'Distant View of Niagara Falls' 🔱
Artist: Thomas Cole Period: Hudson River School Dimensions: 48 cm x 61 cm Subject: Niagara Falls Created: 1830 Media: Oil paint
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The Hudson River School was America’s first true artistic fraternity. Its name was coined to identify a group of New York City-based landscape painters that emerged about 1850 under the influence of the English émigré Thomas Cole (1801–1848) and flourished until about the time of the Centennial. Because of the inspiration exerted by his work, Cole is usually regarded as the “father” or “founder” of the school, though he himself played no special organizational or fostering role except that he was the teacher of Frederic Edwin Church (1826–1900). Along with Albert Bierstadt (1830–1902), Church was the most successful painter of the school until its decline. After Cole’s death in 1848, his older contemporary Asher B. Durand (1796–1886) became the acknowledged leader of the New York landscape painters; in 1845, he rose to the presidency of the National Academy of Design, the reigning art institution of the period, and, in 1855–56, published a series of “Letters on Landscape Painting” which codified the standard of idealized naturalism that marked the school’s production. The New York landscape painters were not only stylistically but socially coherent. Most belonged to the National Academy, were members of the same clubs, especially the Century, and, by 1858, many of them even worked at the same address, the Studio Building on West Tenth Street, the first purpose-built artist workspace in the city. Eventually, several of the artists built homes on the Hudson River. Though the earliest references to the term “Hudson River School” in the 1870s were disparagingly aimed, the label has never been supplanted and fairly characterizes the artistic body, its New York headquarters, its landscape subject matter, and often literally its subject.
'On His Holidays, Norway' 🔱
Artist: John Singer Sargent Date: 1901 Medium: oil on canvas
'Cho-looke, the Yosemite Falls' 🔱
Artist: Albert Bierstadt Date: 1864 Medium: Oil on canvas